Young man looks tired, frustrated in dimly lit room.

Create an image of a black man in his 30s, looking exhausted and weary. He is sitting on the edge of an unmade bed in a dimly lit bedroom, early in the morning. His eyes should appear heavy with dark circles, and his posture slumped, embodying a sense of fatigue. The room has a nightstand with an alarm clock showing an early hour. The man is in his pajamas, rubbing his face with one hand, expressing the struggle of waking up tired and lacking energy. The lighting should convey a sense of dawn, but with a muted, soft quality that emphasizes the man's state of tiredness and lack of motivation. Background elements could include a window with light filtering in and a picture or two on the wall, but the focus should remain on the man's expression and body language. Ultra HD, sharp focus, hyper realistic, --ar 9:16

On a wooden table in a dimly lit room, there are four distinct drinks arranged in a row: a bottle of sake with a small ceramic cup next to it, a tall glass of vodka with ice and a shot glass beside it, a glass of limoncello glowing with a soft yellow hue, and a bottle of tequila with a slice of lime and a salt shaker. The background has a subtle, warm light with shadows creating a cozy, mysterious ambiance, reminiscent of an intimate gathering or a high-stakes meeting.

Girl sleeping on sofa, dimly lit room, peaceful sleeping face, dark outside the room, night, small lamp light, watercolor style, anime style illustration --ar 4:5

Create an intricate pixel art scene that vividly portrays the negative consequences of bad VR optimization. The setting is a dimly lit, cluttered game testing room where a frustrated developer is experiencing VR through a headset, surrounded by monitors filled with error messages, lagging frame rates, and overheating warnings. Nearby, a visibly distressed tester removes their VR headset, rubbing their eyes in discomfort, hinting at physical strain and nausea due to poor performance and visual glitches.

. Albert Schweitzer, an elderly man with a wise and gentle expression, wearing early 20th-century academic attire, standing in a small, dimly lit study surrounded by books, his hand resting on a desk as he looks out of the window thoughtfully, an old wooden desk and a lamp in the background, medium close-up shot, hyper-realistic, photo-realism, cinematography.

A comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif sleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day dots texture for [...]

photo real picture of a 33-year-old lawyer working late at night

A picture using a watercolor style. Light color. A person holding an old photograph, their eyes glistening with tears as they recall past memories. The room is dimly lit, filled with old records and albums, as the faded images of loved ones appear in the background. --ar 9:16 --niji 6

a room with water reflections on all walls and an aquarium in one corner of the room with fishes in it. The lights are cool and dim. And there are people walking in room looking at the aquarium

A realistic comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif lies asleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day [...]