Young man looks tired, frustrated in dimly lit room.

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On a wooden table in a dimly lit room, there are four distinct drinks arranged in a row: a bottle of sake with a small ceramic cup next to it, a tall glass of vodka with ice and a shot glass beside it, a glass of limoncello glowing with a soft yellow hue, and a bottle of tequila with a slice of lime and a salt shaker. The background has a subtle, warm light with shadows creating a cozy, mysterious ambiance, reminiscent of an intimate gathering or a high-stakes meeting.

In a dimly lit conference room, a Korean woman stands in front of a large screen giving a presentation, soft lighting highlighting her figure, with a dark, professional atmosphere, the glow from the screen illuminating her face. Wide-angle shot. photo taken in the style of Canon EOS R5 --style raw --ar 16:9 --v 6.1

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. Albert Schweitzer, an elderly man with a wise and gentle expression, wearing early 20th-century academic attire, standing in a small, dimly lit study surrounded by books, his hand resting on a desk as he looks out of the window thoughtfully, an old wooden desk and a lamp in the background, medium close-up shot, hyper-realistic, photo-realism, cinematography.

A realistic comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif lies asleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day [...]

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Photo of a dimly lit room, in 1960, where a simply dressed man, in modest clothing, looks hesitantly towards a frosted glass door. Through the door, the silhouette of a woman can be seen, dressed in a flowing red dress. In the background, a flickering TV shows intermittent static, with magazines scattered on the floor nearby. The emotions on man's face reflect a mix of firmness and regret.

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A comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif sleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day dots texture for [...]

a young black man waiting at smoke shop waiting in line frustrated and unsatisfied almost cheated looking at a menu to expensive with a bunch of angry people behind him in line and a bird as cashier

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a room with water reflections on all walls and an aquarium in one corner of the room with fishes in it. The lights are cool and dim. And there are people walking in room looking at the aquarium

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