man smiling in warehouse with boxes and car

middle eastern neighborhood, a police detective is very angry and throwing stacks of money, in a paper printing warehouse, david fincher movie, cinematic shot ,day, dark green and orange color palette --ar 7:4 --v 6.1

Ikea warehouse logistic iPad with empty screen in front --s 750 --v 5.0

an empty warehouse without people, artistic camera work, morning light, Sony A7 III, cinematic colors, beautiful light

A photo realistic arcade machine in a dark empty warehouse, overhead lighting, high resolution

corporate photo with smiling employees with empty chairs with smart devices, hard hats, scrubs, and other professional tools setting on the empty seats.

peeking through the doors of a massive warehouse, a young stylish man sits off to the side at an old desk with his back to the camera, watching a light show that asymmetrically is displayed on the wall in front of him, hyperrealistic

close up of face of man with messy black hair and cybernetic bottom half of his face screaming in pain + horror + art style of Capullo, Brom, Whelan, aly fell rutkowski, art germ, rossdraws, and franzzeta + art station + ultra detailed + hyper realistic + 8k --ar 3:2 --niji 6

generate a realistic image of a south indian hero naga shourya with muscular body in his 30s standing in an empty warehouse or industrial area. He is wearing a plain black shirt, and dark pants. He has a beard and is looking off with a serious, intense expression as if he is there for the boy. Slightly behind him, a young boy, around 13-14 years old, with short dark hair and wearing a denim jacket over an orange t-shirt and jeans, stands nervously, his face showing clear fear. The boy is staying very close to the man as if for protection. The warehouse is made of corrugated metal and has a green door with a red fire extinguisher hanging on it. There are wooden pallets scattered around the area. The sky is blue and the overall mood of the image is somber, --ar 16:9

close up of face of a giant grey muscular god like bald man smiling with with green energy pouring from his neck in a dark town looking through a window + horror + art style of Capullo, Brom, Whelan, aly fell rutkowski, art germ, rossdraws, and franzzeta + art station + ultra detailed + hyper realistic + 8k --ar 3:2 --niji 6

A semi-realistic comic book style close-up portrait of 29 year old Raif, the protagonist from 'Madonna in a Fur Coat' by Sabahattin Ali, set in 1950s Berlin. 16:9 aspect ratio, focusing solely on Raif's face and upper shoulders. Raif is a young Turkish man in his early twenties, with a thoughtful, distant gaze looking off to the side of the frame. Refined facial features with a hint of innocence and vulnerability. Deep, expressive dark eyes reflecting inner turmoil and curiosity. Slightly furrowed brow indicating deep thought. A straight, well-defined nose and full, slightly parted lips as if on the verge of speaking. Clean-shaven face with a soft jawline, emphasizing his youth. Tousled dark hair, slightly damp from the Berlin rain. Noir-style lighting with a single, soft light source coming from the side, creating dramatic shadows across half of his face. Dominant cool blue and grey tones with a touch of warm highlights on his skin. Refined outlines, pronounced halftone effects especially in the shadowed areas of his face. High contrast between light and shadow to accentuate facial features and emotional depth. Raif is wearing a dark, slightly rumpled 1950s suit collar and tie, visible at the bottom of the frame. A faint reflection of city lights in his eyes, hinting at the Berlin night scene behind him. Subtle motion lines around his eyes to suggest a recent shift in gaze. Blend of 1950s comic art style and photorealistic details, with intense Ben-Day dots texture for shading, emphasizing the noir atmosphere. The background is a soft blur of dark, rain-slicked Berlin streets, providing context without distracting from Raif's face. His expression captures a complex mix of emotions: wonder, melancholy, longing, and a hint of hope. The overall effect should convey [...]

photorealistic Close-up of an elegant man, with black hair and brown eyes, wearing formal attire including a bow tie, sipping from the whiskey glass he holds to the camera. The scene is set at night under soft lighting, highlighting detailed facial features like the scar on one cheek or the furrowed brow that adds depth to his expression as he drinks noir - - style raw - - v6.1

close-up man smiling and in the background a large warehouse with boxes in different parts and a car in the background, night light emulating a Canon EF 24-70 mm f/2.8 L II USM camera, eye level perspective --ar 3:2 --s 250 --v 6.0