Tomás by river, tense face, ripple hinting danger.

1970's dark fantasy cover art by Frank Frazetta, dungeons and dragons style drawing of Githyanki, burn mark on left cheek, cloaked, blue aura, soul knife, hand knife, blue blade of fire, black robes, hooded with minimalist far perspective --ar 16:9 --style raw

DND scene: rock boulder sphere rolling down a mine like corridor. There is a paladin walking upside down on the ceiling

overhead view of people being pushed at high speed down a river in raging floodwaters, they are up to their chests and necks in water, holding onto each other, fearing for their lives, bright sunlight --ar 16:9 --q 2 --s 750

gigantic sharks attacking a cruise ship in Antarctica, screaming people in the water with life preservers, scientists working on an oil rig in the background, cinematic --ar 27:40

Painting of a hooded Jedi from behind using his lightsaber to light a destroyed and dark hallway of a Sith ship, highly detailed, dark fantasy aesthetic --ar 16:9

Create an intense and emotionally charged scene featuring a female psychiatrist in a modern, sterile clinic. The doctor, exuding a strong yet conflicted aura, is desperately trying to revive a man who appears to be an undocumented individual found on the streets. The atmosphere is tense, with the doctor's face showing determination mixed with an underlying sense of fear and frustration. In the background, faint, ghostly images of past traumatic events blend with the present, hinting at her haunting memories and complex inner turmoil. Her peaceful chauffeur, standing nearby, looks on with concern and hidden affection. The overall mood should be dark, dramatic, and slightly surreal, capturing the psychological depth and eerie undertones of the story --ar 2:3

The portrait captures only the face of the elderly woman, with a particular emphasis on how it is subtly distorted by the memories and emotions evoked by the essay she watches unfold on the screen. The greenish glow of the monitor--Fern-Green--casts an eerie, almost unnatural light across her features, blending reality with the echoes of her past. Her eyes, once hazel, now appear as deep pools of shadowed green, their irises slightly enlarged and distorted, as though they are struggling to contain the flood of memories the screen is drawing out. The green light creates a ripple effect in her eyes, giving them a glassy, almost otherworldly quality, as if the images she watches are not just before her but within her, distorting her very perception of the present. The wrinkles and creases on her face, normally a testament to age and experience, are exaggerated in this portrait. The lines seem to carve deeper into her skin, as though etched by the very struggles and sorrows the essay recounts. The green light accentuates these lines, causing them to twist and warp, almost as if her face is being pulled in multiple directions by the weight of her memories. The sag of her skin is more pronounced, giving her face a slightly elongated, stretched appearance, reflecting the internal tension and turmoil she feels. Her lips, usually thin and tight, now appear slightly uneven, one corner pulled higher than the other, as though caught in a moment of suppressed emotion. The green light causes the skin around her mouth to tighten and crack, adding to the sense of distortion. The tension in her jaw is more visible, with the muscles subtly exaggerated, as if she is clenching her teeth against the memories that the screen forces her to confront. Her silver hair, pulled back, is [...]

Ruben’s Forbidden Egg Pt. II - This time… it’s personegg, Hyperrealistic, 8k, --style raw --ar 1:1 --v 6.0

Infinite and frightening totem found in a lost city of an unknown civilization --v 6.0

A criminal entering a home while being discreet

A fierce mother with piercing eyes holding a phone, her face full of tension. In the background, the bright city lights of Los Angeles, and a faded image of her son’s face, with bright, vivid colors contrasting the darkness of her struggle --ar 3:2