Tango event logo Practica Maximum

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design ideas for the logo, keeping in mind the style and description you provided: Text Focused Design: Typography: Use an elegant serif font reminiscent of Renaissance-era lettering, with the word "МАХимум" prominently bolded and the "МАХ" portion larger. Background: A dark maroon color that evokes a feeling of richness and depth. Details: Incorporate subtle sketches of geometric shapes or small flourishes inspired by Da Vinci’s sketches, like spirals or simple mechanical designs. These should be faintly visible in the background, almost like a watermark, to give the logo an artistic and historical feel. Da Vinci Inspired Sketches: Central Element: Place a simple, schematic drawing of a mechanical object (like Da Vinci’s Vitruvian Man’s geometric circle, but more abstract and simplified) in the center. Text Placement: The text "Practica" and "МАХимум" should curve around the central drawing. The word "МАХимум" can be highlighted using a lighter shade than the rest of the text to make it stand out. Details: Include small annotations or symbols around the edges, mimicking Da Vinci’s habit of scribbling notes around his sketches. Border Design: Frame: Create a border around the logo in the style of Da Vinci’s frames and borders, which often featured intricate line work or simple patterns. Central Focus: The inside of the border remains dark maroon, with the light text "Practica" and "МАХимум" in the center. The simplicity of the text contrasts with the more complex border, drawing the eye inward. Simple Geometric Shapes: Design: Use overlapping geometric shapes (circles, triangles) to form a subtle background pattern that hints at Da Vinci's interest in geometry. Text Placement: "Practica" in a classic Renaissance font on the top and "МАХимум" in a larger, bolder [...]

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Design a logo for a tango event, a Milonga, with the name "Practica" and the second word "MAXimum." Use a dark maroon background with light-colored text. Include two dancing figures, a male and a female, styled after the artist René Gruau from the 1950s. The woman's portrait should be rendered with just three brushstrokes.

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