Large Sphere Entrapped in Door

Julius Caesar, inspired by the character from Asterix and Obelix, in a toga, inside a large, deep pothole on an asphalt road in modern Rome, emerging with a surprised expression and his hands gripping the edge of the hole. Drawn in a playful Disney style with dynamic lines and expressive features. Include modern city elements like parked cars and street signs for a humorous touch. The image is in black and white.

digital art, fantasy art, medieval, panicked guard standing in a doorway with several arrows sticking out of his armor, scared, light armor, entrance to a tavern, leaning on the post, no helmet, sweating, yelling

1970s dark fantasy book cover paper art, Dungeons and Dragons Style of a large boulder stuck in a tree, surrounded by tree stumps and golden lights

front 3d multicuisine big restaurant entrance illustration, anime vibes. light soothing theme

a dolphin beached on the sand. there are large arrowheads stuck in the dolphin and laying around his body. dolphins badly wounded. gloomy, dark, hyperrealism --v 6.0

a huge concrete sphere broken and sqweezed in a door entarance, large minimal and clean studio, the sphere is larger than the door, --ar 16:9 --style raw --v 6.0

Aerial of a frozen zombie stuck under a frozen lake in a winter environment. Key art. In the style of david fincher. dark, moody, atmospheric, cinematic. 35mm filmstock. --ar 1:1

photorealistic The image shows a blue Audi sedan car stuck in the snow in a wintery forest setting. The car's front and rear tires are partially buried in the snow. The background features snow-covered trees, creating a serene winter landscape. The car is positioned slightly angled, showcasing its front and side profile with distinctive Audi design elements like the iconic grille and sharp headlight design. The sky above is cloudy, adding to the cold and snowy atmosphere.

A large medieval D&D city, the entrance is a single large bridge made of white stone, the outskirts of the city are protected by large thick stone walls and towers rise above the walls intermittently, the city rises in elevation the further inward and the back half rises above the rest where a large manor sits

Barzakh by Parveen Shakir Taa’lluqat ke barzakh mein hi rakha mujh ko Wo mere haq mein na tha aur khilaaf bhi na hua تعلقات کے برزخ میں ہی رکھا مجھ کو وہ میرے حق میں نہ تھا اور خلاف بھی نہ ہوا In Islam, Barzakh, signifies a time and space between death and day of judgement for resurrection. Poet Parveen Shakir captures the emotional state of being caught in the intermediate state of the relationship as akin to being in Barzakh. My beloved keeps in neither fully connected or disconnected in the relationship - in a limbo - where I am unable to fully move forward or let go. My beloved is not fully supportive or not fully opposed to the relationship leaving them in a state of Barzakh - a space and time that is a limbo with unclarity.

a rice krispys square stand in store which is upside down and stuck to the ceiling with the gooey marshmellow and krispies stuck to the ceiling --ar 16:9 --v 6.1

A comic scene where a lone marketer is using outdated tools like a typewriter and a flip phone to do their work, while an agency team next to them is shown with high-tech holographic displays, virtual reality headsets, and futuristic marketing tools. The lone marketer is frustrated, while the agency is relaxed and efficient. Background: messy office vs. ultra-modern digital workspace. Created Using: comic book illustration, absurd contrast, exaggerated humor, bright colors, sharp lines, futuristic vibes --ar 16:9 --v 6.0

1970s dark fantasy book cover paper art, Dungeons and Dragons Style of a large boulder stuck in a tree, surrounded golden lights