Historical Moroccan Prison Scene

18th century oil painting portrait of a human with the head of a blue and purple Indian ringneck parrot, featuring a bright red beak. The figure is wearing a traditional white curly wig, and a silk detailed cloth, detailed in the style of classical portraiture with rich, realistic textures and soft lighting.

18th century oil painting portrait of a human with the head of a blue and purple Indian ringneck parrot, featuring a bright red beak, green eyes with yellow around the eyes. The figure is wearing a traditional white curly wig, and a silk detailed cloth, detailed in the style of classical portraiture with rich, realistic textures and soft lighting. realistic, high resolution, He is hunting and standing infront of his great white horse

a fair-haired curly haired samwise gamgee heavy-set hobbit from lord of the rings Tolkien The hobbit oil painting oil portrait painting brush strokes in 18th century clothing and style in oils 3/4 portrait art in frame

a 18th century Anatomist in the style of an 18th century book illustration, black and white

A concept art-style illsutration featuring an 18th-century English manor house and a yong noble in front of us (we see his face) peering the outside through a window.

18th century oil painting portrait looking left of a human with the head of a blue and purple Indian ringneck parrot, featuring a bright red beak, with yellow around the eyes. The figure is wearing a traditional white curly wig, and a silk detailed cloth, detailed in the style of classical portraiture with rich, realistic textures and soft lighting. realistic, high resolution, dark color background

18th century oil painting portrait of a human with the head of a blue and purple Indian ringneck parrot, featuring a bright red beak. The figure is wearing a traditional white curly wig, and a silk detailed cloth, detailed in the style of classical portraiture with rich, realistic textures and soft lighting.

Create a highly realistic image, styled like a film still from a historical movie, depicting Ismail and his army looking at 18th-century Morocco from a distant hill at noon, with the sun high in the sky. The image should provide a comprehensive view of the entire village and the royal palace. Ensure that the image is crafted with photographic realism, with no awkward elements. Focus on capturing the grandeur of the Moroccan landscape under the midday sun, along with the impressive sight of Ismail and his army. The perspective should be from a high vantage point on a hill, allowing a panoramic view that includes the intricacies of the village life, the majestic palace, and the formidable presence of the army. Attention to detail in the attire of Ismail and his soldiers, the architectural features of the buildings, and the natural surroundings is crucial. The overall composition should not only capture the strategic scene of Ismail observing Morocco but also the vibrant and historic essence of 18th-century Morocco, --ar 9:16 --s 250 --v 6.0

A map of 18th-century Bavaria with old architecture in the background, representing the origins of the Illuminati. Cinematic cinnematic --ar 9:16 --style raw

in landscape mode, paint a mid 18th century cornish harbour scene at sunset. There are a number of square rigged sailing ships against the harbour walls unloading their goods, along with a skiff rowing across the calm waters of the harbour. Each side of the harbour is lined with old pubs and shops which are lighting their gas lamps and people in period clothes are walking around the cobbled town streets looking in the windows and at the busy scene, Include a steam train heading over a viaduct in the background