Raif and Maria dancing in dimly lit hall.

Illustrate a dimly lit, rustic Irish cottage interior where a distraught mother looks over a cradle. Inside, instead of her child, a wizened, eerie changeling with glowing eyes lies swaddled. Shadows from the fireplace flicker ominously on the walls, enhancing the mysterious and unsettling atmosphere. --ar 16:9

a room with water reflections on all walls and an aquarium in one corner of the room with fishes in it. The lights are cool and dim. And there are people walking in room looking at the aquarium

A dimly lit dance hall in a luxurious Western-style house. A piano is placed by the wall.

STYLE: Cinematic Close-Up | GENRE: historical drama | EMOTION: intrigue, decadence | SCENE: Disguised as a woman, Heliogabalus sits in a dimly lit tavern, his face adorned with makeup, eyes scanning the room with an air of fascination and mischief. The candlelight flickers over his face, adding a touch of mystery to his gaze as he prepares to engage in his unorthodox pursuits. | TAGS: 8k, warm candlelight, emotional complexity, historical realism, immersive close-up, decadent atmosphere | TIME: Late night | LOCATION TYPE: Tavern interior | CINEMATOGRAPHER: Emmanuel Lubezki | --ar 9:16

Leave the death ledger under City Hall --ar 16:9 --v 6.0

A comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif sleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day dots texture for [...]

A dimly lit kitchen with a glowing glass of milk at the center, surrounded by ghostly, shadowy outlines of a maternal figure. In the background, a faint silhouette of a tense Homelander with glowing red eyes watches the milk, symbolizing his inner turmoil. The milk has a slight ripple effect, adding a surreal, eerie atmosphere. --ar 16:9

a hand with long pointy scary fingers, the entire hand is green snake scales, its claymation , theres a gold super bowl ring on one finger, the hand is all you can see in a dimly lit scary room

Girl sleeping on sofa, dimly lit room, peaceful sleeping face, dark outside the room, night, small lamp light, watercolor style, anime style illustration --ar 4:5

A realistic comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif lies asleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day [...]

15. Furthermore, according to Napoleon, many had already been captured, a thoughtful scene of Napoleon reviewing a list, 1799, in a dimly lit tent with a single candle, a table cluttered with papers and a map in the background, medium shot emphasizing his concentration, hyper-realistic, photo realism, cinematography --ar 9:16