Old Gas Station by Sea with Palm Trees

Create an oil painting of a mash-up of Simon Stålenhag painting and Theodor Seuss Geisel's illustration, The subject of the painting should be a lone teenage girl in a red dress standing in an old art Deco train station with gnarly trees growing through the roof, the contrast of light and dark through the windows

grim faced gas station manager lowering price on the gas pump to defeat competitors

A majestic Sumpango kite soars high in the sky, with vibrant colors and intricate geometric patterns standing out against a completely white background. The details of the kite are sharp, with every stitch and design reflecting the traditional Guatemalan craftsmanship. Beside it, an unfinished gas station appears frozen in time. The incomplete metal framework features striking orange details, contrasting vividly with the white backdrop. Tools and construction materials are scattered around, as if the work suddenly came to a halt. The scene blends movement and stillness in a hyperrealistic style, emphasizing every texture and detail. --s 250

The scene takes place at a gas station in the 80s, with highly detailed vintage cars. Use bright, eye-catching colors and detailed images to convey a safe and enjoyable journey. Depth of field, Tilt-shift blur, Shutter speed 1/1000, F/22, White balance, 32k, Super resolution, Pro Photo RGB, Backlight, Backlight, Happy lighting, Incandescent, Soft lighting, Surround, Conte jour, Global illumination, Screen-space global illumination, Scatter, Shadows, Harsh, Flicker, Backlight flare, Screen-space flare, Diffraction estimation, Chromatic aberration, GB bias, Scanlines, Ambient occlusion, A RTX, SSAO, OpenGL shaders, Post-processing, Post-production, Cell shader, Tone mapping, CGI, VFX, SFX, Insanely detailed and complex, Hyper maximalist, Elegant, Dynamic pose, Photography, volumetric, ultra detailed, complex detail, super detailed, ambient --ar 2:3

cinematic photo from 1980, shot of anthropomorphic white mashmellow wears headphone, he has white round hand . he works as gas station worker at the gas station to fuel the gas --c 20 --v 6.1 --ar 16:9 --s 800

a gas station clerk standing behind the counter at night, hyper realistic, cinematic --ar 16:9 --s 750

cinematic photo from 1980, shot of anthropomorphic white mashmellow wears headphone, he has white round hand . he works as gas station worker at the gas station to fuel the gas. he is fueling to the car. shot close up to the gas hose handler --c 20 --v 6.1 --ar 16:9 --s 800

cinematic photo from 1980, shot of anthropomorphic white mashmellow wears headphone, he has white round hand . he works as gas station worker at the gas station to fuel the gas. he is fueling to the car. shot close up to the gas hose handler to fuel the robot beside --c 20 --v 6.1 --ar 16:9 --s 800

gas station

shot of anthropomorphic white mashmellow wears headphone, he has white round hand . he works as gas station worker at the gas station to fuel the gas. he is fueling to the car. shot close up to the gas hose handler to fuel the robot beside --ar 16:9 --v 6.1 --c 60

An architectural awarded gas station design, very sofisticated and modern, located in a highway in wyoming. daylight. Composition: Sony Alpha 1 DSLR camera, 24mm f/2.8 STM lens, Resolution 30.4 megapixels, ISO sensitivity: 640, Shutter speed 1/150 second, mid-shot --style raw --ar 16:9

Peut tu créer une image réaliste qui pourrai faire la couverture d un grand magasine avec ce sujet là : La vieille station-service abandonnée, témoin d'un autre temps. J'aime imaginer les histoires qu'elle pourrait raconter.

An unfinished gas station set against a white background, with bold, orange accents standing out vividly. The incomplete metal framework of the canopy shows touches of bright orange, drawing the eye to the structure's suspended state. Scattered construction materials--pipes, barriers, and tools--feature hints of orange, contrasting sharply with the stark white backdrop. The station appears paused mid-construction, with the color orange bringing a sense of energy to an otherwise still and quiet scene. --s 250