Nighttime in Salt Lake City: Police Officers Injured

ballpoint pen sketch style British police being briefed on an investigation

british 1950s police detective and policemen standing looking at body of drowned woman who is wearing a cream turtleneck and tan pencil skirt and stockings lying on ground next to lake. In the background two police divers are talking next to 1950s british van. Black and white photo --ar 5:3

Destroyed city street in Ukraine after an explosion. In the foreground, a man lies on the ground, injured, realizing he has lost his leg. His face shows pain and shock. Around him, rubble and debris from the explosion. Medics and volunteers rush to help in the background. The scene is filled with urgency, chaos, and emotion, capturing the moment of tragedy and vulnerability. --ar 5:3

nig city background, zombies blueish rotting skin yellow eyes standing taking photos of a man hurt on the sidewalk curb surreal --style raw --v 6.1 --s 250

rendering a virtual reality arena used to train police office. props and elements to be used as obstacle and architectural elements are movable to create new layout of the arena. floor, walls and props are alle of the same material. police officers wearing vr headset and a black uniform are training. --style raw --v 6.1 --ar 16:9 --c 12 --s 400 --no text

A wide shot of a police murder crime scene in the daytime, caution tape around the scene, police officers all over investigating the scene, a body covered in a sheet lays in the middle of the road, photorealistic --ar 16:9

(masterpiece) (sharp focus) (highly detailed) Wallpaper. Shinichi Aizawa, two teenage human female police officers with attiude with shoulder-level black hair and blue eyes wearing a futuristic dark blue police uniforma standing in a rain slicked future city street, With a large police large robot behind her. It had red and blue police lights o its shoulders. It is like the robots from CASTLE IN THE SKY LAPUTA, accurate hands. In the style of Miyaazaki’s CASTLE IN THE SKY anime,8k --ar 16:9 --niji 5

A wide shot of a police murder crime scene in the daytime, caution tape around the scene, police officers all over investigating the scene, a body covered in a sheet lays in the middle of the road, a classic porsche is parked behind the body, photorealistic --ar 16:9

blonde female bank robber fighting with police officers, 1970s, colourised --v 6.0

video shows a night scene with lakes and mountains faintly visible under the dark sky. A meteor is falling ,saudi men making BBQ, campfire, old red 1979 GMC pickup truck, --v 6.1 --s 750

interior of police headquarters Chicago --ar 16:9

*big city background,close up many zombies blueish rotting skin yellow eyes taking photos with their cellphones of man injured the sidewalk surreal --style raw --v 6.1 --s 250

Two overweight female police officers, exuding confidence and arrogance, engaged in conversation while standing next to a police SUV in the center of a very upscale, futuristic subdivision. Medium: Rendered in an oil painting style, capturing the atmospheric solitude and emotional depth characteristic of Edward Hopper's works. Style: Hyper-realistic with a focus on intricate details, such as the fabric of the uniforms, the SUV, and the high-end, futuristic architecture of the subdivision, all imbued with Hopper's sense of isolation and introspection. Lighting: Late afternoon lighting casting long shadows and illuminating their confident facial expressions, the SUV, and the upscale subdivision, evoking Hopper's dramatic use of light and shadow. Colors: Muted blues for the uniforms, metallic grays for the SUV, and subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if shot with a Canon EOS 5D Mark IV DSLR camera, EF 24mm f/1.4L II USM lens, with a wide depth of field to include both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750

a indian police officer in mask full body in a white background --ar 9:16