Napoleon Bonaparte leading his French soldiers
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Emperor Napoleon on a battlefield, tripod, high angle, closeup, macro lens, 11mm, fisheye, cinematic, photorealistic, in the style of Wes Anderson, ragnar kjartansson, miwa komatsu, cinestill 50d, criterion collection, pale colors, film stock--ar 4:3
17. so by executing them, they would no longer break their word, a final reflective scene of Napoleon standing alone, 1799, in his military coat with a distant look, on a rocky shore with waves crashing in the background, wide shot capturing the weight of his decision, hyper-realistic, photo realism, cinematography --ar 9:16
Napoleon Bonaparte's troops, a group of determined French soldiers led by Napoleon in a military uniform, 1799, wearing French Revolutionary military attire with blue coats and bicorn hats, in a war-torn city of Jaffa, advancing through narrow streets, smoke rising and damaged buildings in the background, medium shot capturing the intensity and focus of the soldiers, hyper-realistic, photo realism, cinematography --ar 9:16
1848 French newspaper annuncing Napoleon losing the plebliscite
Imagine a realistic photo of the spirit of an indigenous Aztec leader in a cave, he is imposing and has both arms crossed as a sign of rejection, looking severely at the Aztec leader Montezuma II, who is wounded and saddened by the severe gaze of the spirit. --ar 16:9
15. Furthermore, according to Napoleon, many had already been captured, a thoughtful scene of Napoleon reviewing a list, 1799, in a dimly lit tent with a single candle, a table cluttered with papers and a map in the background, medium shot emphasizing his concentration, hyper-realistic, photo realism, cinematography --ar 9:16
Napoleon Bonaparte in Napoleonic French military uniform and hat, arguing with a British judge in a white wig and red judge's robe, in a courtroom --ar 3:2
13. Napoleon justified his decision, a scene of Napoleon speaking with his officers, 1799, in a military tent filled with maps and documents, outside the tent, soldiers and horses in the background, medium shot showing his commanding presence, hyper-realistic, photo realism, cinematography --ar 9:16
1830 french newspaper first page with the title "Napoleon a perdu"

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