Mesopotamian inscriptions seek accurate reproduction of Tiamat representation.

According to Mesopotamian cosmogony, the ancient inscriptions want a reproduction as close as possible to the findings of how the representation of the god Apsu was in ancient Mesopotamia.

A haunting vision of the ancient Mesopotamian underworld from the Epic of Gilgamesh, depicted in an old black and white etching style. A shadowy 'House of Dust' with bound souls, shackled and weary, sitting in dark, desolate surroundings. The figures are thin and ghostly, with hollow eyes, as they are fed rocks and clay in an atmosphere of despair. Dark, jagged architecture, with crumbling walls and dust-laden air, adds a haunting sense of ancient decay. The scene is intricate, with detailed etching-like lines and shadowy tones, evoking the eerie and oppressive ambiance of a forsaken realm. --ar 16:9

babylonian gods cosmogony --v 6.0

a magic staff made of bone, maroon lines running up and down the staff, at the top a white glowing orb surrounded by white sapling shoots, An unknown language was inscribed in the bone, fantasy style

Dragon tiamat --niji 5 --style expressive

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background. She is a mighty warrior ar2:3

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background --ar 2:3

According to Egyptian cosmogony, the ancient inscriptions I want a reproduction as close as possible to the findings of how the representation of the primordial waters called Nun was in ancient Egypt.

create a large crowd of boys from Dagestan, a young boy in a wrestling duel with a 6-month-old baby bear chained in a ring The photograph is skillfully taken using a Nikon D850 DSLR camera is employed. Paired with a high-quality Nikkor 24-70mm f/2.8 lens, the camera ensures exceptional image clarity and sharpness. The aperture is set to f/4, striking a balance between depth of field and capturing intricate facial features. The ISO of 400 adapts to the available light, preserving accurate color reproduction and minimizing noise. With a shutter speed of 1/250 sec, the photograph freezes any subtle movements, preserving the authenticity of the moment.. --ar 16:9

Illustrate the highland regions adjacent to the Mesopotamian plain where human civilization is believed to have originated. Content: Highland landscape, Mesopotamian plain. Medium: Digital art. Style: Historical and geographical accuracy. Lighting: Natural sunlight over the landscape. Colors: Realistic portrayal of the terrain. Composition: A detailed landscape showing the origin of civilization. --ar 16:9 --v 5.1 --style raw --s 750