Man stands frozen as Berlin Wall is destroyed.

the berlin wall is being destroyed. A single man stands there frozen, his hands wide along his sides, his posture of attention, his eyes lost in madness. All around him young workers destroy the wall and couples rejoin after years. Nikon D90 photography. White balance. Warm light. All in focus. --ar 3:2

1989 the berlin wall is being destroyed. A single man stands there frozen, facing the camera, his hands wide along his sides, his posture of attention, his eyes lost in madness. He wars a white blouse, and thin dark pants. All around him young workers destroy the wall and couples rejoin after years. Nikon D90 color photography. White balance. Warm light. All in focus. --ar 3:2

Design a scene on the a frozen ice planet, featuring a solitary figure in a flowing black robe standing before an immense, futuristic church that pierces the sky. This edifice should be adorned with minimal and smooth curve, futuristic details, suggesting a blend of architecture and living form and curves and is covered in white fog. In the foreground, the back of a figure wearing a black robe is depicted. Aim for a cinematic composition that could be a still from an epic science fiction film, evoking a sense of mystery and grand scale. --ar 2:3 --v 6.0

A realistic photo of a 40 years old male in his kitchen, putting a frozen bread dough in a bread machine that looks like a big nespresso machine. The machine is on his kitchen counter

Style of Medieval Bold brush stroke acrylic painting ,a head of black hooded man peeping though the destroyed wall, destroyed wooden door --ar 2:1

A colossal, biological fusion of Ant-Man and Godzilla, with a massive, reptilian body covered in a sleek, dark exoskeleton with red and black accents. The creature features enlarged compound eyes with a glowing red hue and antennae-like protrusions. Its claws are powerful and segmented, and its tail is equipped with mechanical elements reminiscent of Ant-Man's suit. The body displays intricate patterns and tech-like details that highlight its connection to shrinking technology. The background is a dystopian cityscape, with towering buildings reduced to rubble, and a sky filled with swirling storm clouds and glowing tech debris, creating a dramatic and high-tech apocalyptic atmosphere.cinematic,high quality.

A picturesque street scene in Berlin during autumn, capturing the essence of a cool, historical day. People enjoying the day. The iconic Brandenburg Gate in the background, with the Spree River and remnants of the Berlin Wall. The lively Alexanderplatz area visible. Oil painting. --aspect 2:3 --v 6.0

laura branigan, wearing a tan trench coat, pointing a makarov pistol at a man during the fall of the berlin wall on november 9, 1989. They are in an alley way away from the main street, which has a large crowd next to the berlin wall. Keywords: crowd, berlin wall, east berlin, soldiers, chase, standoff, anamorphic, arri alexa mini, 50mm, wide angle, cinematic --ar 21:9

A semi-realistic comic book style close-up portrait of 29 year old Raif, the protagonist from 'Madonna in a Fur Coat' by Sabahattin Ali, set in 1950s Berlin. 16:9 aspect ratio, focusing solely on Raif's face and upper shoulders. Raif is a young Turkish man in his early twenties, with a thoughtful, distant gaze looking off to the side of the frame. Refined facial features with a hint of innocence and vulnerability. Deep, expressive dark eyes reflecting inner turmoil and curiosity. Slightly furrowed brow indicating deep thought. A straight, well-defined nose and full, slightly parted lips as if on the verge of speaking. Clean-shaven face with a soft jawline, emphasizing his youth. Tousled dark hair, slightly damp from the Berlin rain. Noir-style lighting with a single, soft light source coming from the side, creating dramatic shadows across half of his face. Dominant cool blue and grey tones with a touch of warm highlights on his skin. Refined outlines, pronounced halftone effects especially in the shadowed areas of his face. High contrast between light and shadow to accentuate facial features and emotional depth. Raif is wearing a dark, slightly rumpled 1950s suit collar and tie, visible at the bottom of the frame. A faint reflection of city lights in his eyes, hinting at the Berlin night scene behind him. Subtle motion lines around his eyes to suggest a recent shift in gaze. Blend of 1950s comic art style and photorealistic details, with intense Ben-Day dots texture for shading, emphasizing the noir atmosphere. The background is a soft blur of dark, rain-slicked Berlin streets, providing context without distracting from Raif's face. His expression captures a complex mix of emotions: wonder, melancholy, longing, and a hint of hope. The overall effect should convey [...]

FROZEN EYES, growing on the wall, horror movie --v 4