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full body portrait of an 1600s Fashion man / 1600 - 1699 17th century / confident pose / background depicts an intricate kaleidoscope pattern

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goddess with multiple arms, theatrical mask, queencore, holographic, iredecent, pearlecent, glitter, glowing white eyes, dark gray skin, black clothes, blue glow, blue aesthetic, biolumencence, cinematic lighting, cinematic detail, comic, anime, illustrated animation --niji 5 --ar 2:3

Create a surreal, narrative-rich illustration in Edward Gorey’s signature style, featuring a group of doll-like figures on a playful, brightly colored stage. Each character should wear elaborate and mismatched clothing, rendered with intricate cross-hatching to highlight the textures of ruffled fabrics, bows, and stitched patterns. The characters’ faces should remain neutral or slightly melancholic, embodying the subtle detachment typical of Gorey’s figures, despite their lively surroundings. The backdrop--composed of vibrant pinks, greens, and whimsical heart shapes--should have a hand-painted quality, with cross-hatched shading adding depth to the setting. The figures' clothing should suggest playful theatricality, evoking both childhood innocence and eerie detachment. While their postures are relaxed, the dolls should convey an unsettling stillness, as if caught in a moment just before or after an unexplained event. Use negative space thoughtfully, leaving parts of the stage untouched to amplify the tension between movement and stillness. Subtle symbolic objects should be woven into the scene--a ticking clock, a small black bird perched discreetly, or a lone mask--hinting at themes of time, transformation, and hidden narratives. These objects serve as visual metaphors, suggesting untold stories or emotional undercurrents beneath the cheerful facade. The final composition should blend whimsy with unease, creating a captivating tension between colorful charm and the quiet melancholy that defines Gorey’s world. Each detail, from costume patterns to background motifs, should encourage viewers to linger, uncovering layers of meaning within the whimsical yet enigmatic scene.

macro photo of air born allergens and viruses with a child sneezing in the background --ar 4:3

AFRICAN AMERICAN man angry, crying, with his mouth DUCT TAPED, HYPER REALISTIC, THEATRICAL, SUPER DETAILED, HD

face of man, in the style of jean giraud, delicate ink lines, jarosław jaśnikowski, tex avery, theatrical, timeless artistry

middle aged man, Italian man, handsome, slight smile, mafia, black hair, clean shaven, no facial hair, 1940s hair, slick hair, black vintage suit, 1940s style, portrait, no background, realistic

Output: Cinematic Shot Subject: An empty stage, lots of shadow with a pool of light created by a spotlight. Flanked by Red stage curtain, spotlight leaks. Influences: The greatest Showman. Lighting Emphasisers: Spotlight. Shot on a Hasselblad medium format camera. Carl Zeiss Distagon t* 50 mm f/2.8 ze, Ricoh r1. --ar 2:1 --v 5.1 --style raw

in london, in the year 1663, a big man, with a beefy face and huge, raw-looking hands, well enough spoken but with an odd accent that I took to be the local one. I put him down as a farmer, or else the proprietor of some small business. He was nearer to sixty than fifty, and his clothes were of good quality, but somewhat brashly cut, and he wore a heavy, prominent seal ring on his left hand and that too had a newness and a touch of vulgarity about it.

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