man with coal hand in shadow

sign for coal hill school

Show a kitchen with Coal Comfort dark kitchen cabinets in a charcoal finish, offering a soft yet powerful presence. These cabinets should be complemented by a glossy gray quartz countertop and a backsplash of slate tiles. Matte black fixtures and minimalist Scandinavian furniture should keep the space modern and functional. Soft woolen throws and cushions on a window seat can add a layer of comfort. This kitchen should be a stylish and cozy space, perfect for modern families. Neat and organized. Camera: DSLR - Canon EOS 5D Mark IV. Lens: Canon EF 24-70mm f/2.8L II USM. Composition: Wide shot, room-centered, horizontal orientation, balance between furniture and space. Film: Digital, high resolution, color profile sRGB. Camera settings: ISO 400, f/2.8, 1/60 sec. --ar 2:3 --v 6.1 --s 250

horror image that shows a door that has a tall window covered by blinds, but a silhouette of a large creepy man is showing up as a shadow on the blinds, shows the creepy man has a knife in the shadow, --ar 16:9

close-up of black shadow monster's hand in room. In the style of david fincher. Dark and moody. Realistic, photoreal, 35mm camera, depth of field. --ar 16:9

man in the sky, evil smiling in the shadow, woman silhouette on the island, night, weird fiction cover art

A man standing with his hand raised at chest level, facing a silhouette of himself standing in the same position on the opposite side. The scene symbolizes the idea 'the ego seeks to divide and separate, while the spirit seeks to unify and heal.' The man and his silhouette are on opposite sides, with a subtle dividing line between them, representing the separation caused by ego. A soft light connects their raised hands, symbolizing the unifying and healing power of the spirit. The atmosphere is contemplative, with contrasting light and shadow to emphasize the duality --ar 4:5 --s 750

chinese shadow puppetry --relax

Picture a sad man trying to touch his own shoulder. Have the man look back at the viewer over his right shoulder. Have long hair and miserable clothing. Make this picture so that we can see the man from the right side, with his back slightly turned towards us. man with his left hand over his right shoulder to his right shoulder blade. Let him try to touch it. Let the left side of the man's face be in shadow and the light shine over his right shoulder. Make the picture in oil painting style. Let the man be anatomically proportionate. Let the man's entire body be visible, down to his kneecaps. Let there be pastel shades of green, blue and yellow in the picture. Let the background be dark. Let there be a burning lamp and an open book on the floor on the left.

A man stands in the sun in the middle of a large square, with his shadow visible behind him, The shadow hanging from the gallows , middle ages --v 5.2

A man standing with his hand raised at chest level, facing a silhouette of himself standing in the same position on the opposite side. The scene symbolizes the idea 'the ego seeks to divide and separate, while the spirit seeks to unify and heal.' The man and his silhouette are on opposite sides, with a subtle dividing line between them, representing the separation caused by ego. A soft light connects their raised hands, symbolizing the unifying and healing power of the spirit. The atmosphere is contemplative, with contrasting light and shadow to emphasize the duality, Karmazid art --ar 4:5 --s 750

"Seamless pixel art texture of 19th-century old bricks, rugged and weathered, arranged unevenly. Dark reddish-brown tones with blackened edges, showing signs of soot, dirt, and wear. Cracks and chipped corners give the bricks an aged, industrial feel. The design reflects the rough, heavy use typical of a coal mine entrance. Subtle dithering creates a retro, lowpoly PlayStation 1 aesthetic, suitable for a 3D platformer. Low resolution, 128x128 pixels."