man with coal hand in shadow

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close-up of black shadow monster's hand in room. In the style of david fincher. Dark and moody. Realistic, photoreal, 35mm camera, depth of field. --ar 16:9

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Coal, Oil and Gas transformed into three princesses bearing a red flame, a yellow flame and a blue flame respectively, waiting near the gates of the Underworld

A man standing with his hand raised at chest level, facing a silhouette of himself standing in the same position on the opposite side. The scene symbolizes the idea 'the ego seeks to divide and separate, while the spirit seeks to unify and heal.' The man and his silhouette are on opposite sides, with a subtle dividing line between them, representing the separation caused by ego. A soft light connects their raised hands, symbolizing the unifying and healing power of the spirit. The atmosphere is contemplative, with contrasting light and shadow to emphasize the duality --ar 4:5 --s 750

"Seamless pixel art texture of 19th-century old bricks, rugged and weathered, arranged unevenly. Dark reddish-brown tones with blackened edges, showing signs of soot, dirt, and wear. Cracks and chipped corners give the bricks an aged, industrial feel. The design reflects the rough, heavy use typical of a coal mine entrance. Subtle dithering creates a retro, lowpoly PlayStation 1 aesthetic, suitable for a 3D platformer. Low resolution, 128x128 pixels."

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sign for coal hill school

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Coal miners in the 1940s. Black and white. Lino stamp. Antique. Retro graphics at night --ar 16:9

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