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There is a need for a card to be used in public transportation. This card is called JIN KART. The card must have the JIN KART logo on it. The card must have a user photo and information on one side and the JIN KART logo on the other. The background color of the card will be dark coral. The JIN KART logo will be purple. It must have a corporate design. The logo must be understandable and legible. I only need the appearance of the card. Let's see the front and back of the card. The card must be dark orange. The card will be used in Mardin and must be designed specifically for women.

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In the surreal, hyper-realistic style of David LaChapelle, a traditional Brazilian RG (identity card) is the focal point of the scene. However, instead of a regular photo, the picture on the RG is a vibrant oil painting of a human face, blending classical portraiture with a modern touch. The face in the painting is strikingly lifelike, with bold brushstrokes bringing out the texture and depth, as if the person has been captured in a timeless artistic moment. The RG itself, with its usual details--name, numbers, and data--remains intact but is framed by vibrant, surreal lighting, making the card feel like an artistic artifact. The contrast between the mundane reality of an ID card and the elevated artistry of the portrait evokes a sense of self-discovery, where identity is more than just information--it's an evolving work of art.

There is a need for a card to be used in public transportation. This card is called JIN KART. The card must have the JIN KART logo on it. The card must have a user photo and information on one side and the JIN KART logo on the other side. The background color of the card will be dark coral. The JIN KART logo will be purple. It must have a corporate design. The logo must be understandable and legible. I only need the appearance of the card. Let's see the front and back of the card.

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