Japanese Metabolism Birdhouse Tower Urban Alley Blue Jay
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nebula clouds with no stars, highly detailed withour sparkles, red and blue, fantasy tower in the distance over the ocean with the moon crescent glowing, fantasy rocks and trees, moon eclipse --ar 4:5 --v 6.1
Jay Kordich the Juiceman with his tan face and big white hair and huge white, wing-like eyebrows and big bright smile
show an infographic-style visual of a human silhouette with icons inside, such as gears turning or flames symbolizing energy, with arrows pointing from a glass of water toward the body to indicate how hydration boosts metabolism.
a metabolic birdhouse made of concrete and metal trim in an urban alley in the style of Fumihiko Maki, steel cables, Hasselblad 30mm lens --ar 16:9 --v 6.1
a bird house made of only 0,5l aluminium bear cans --no wood --ar 16:9 --s 1000 --v 6.0
nebula clouds with no stars, highly detailed withour sparkles, red and blue, fantasy tower in the distance over the ocean with the moon crescent glowing, fantasy rocks and trees, red moon --ar 4:5 --v 6.1
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beautiful Japanese woman is captured in a candid moment from a bird's-eye view as she walks through a serene, sunlit alley. Wearing a simple, elegant white dress that contrasts with the rustic urban setting, her long black hair cascades down her back. The early morning light creates soft shadows and highlights her gentle features, providing a natural, warm atmosphere --ar 3:4 --style raw --stylize 250 --niji 6
game setting concept art of a modern urban horror game set in London. An alley with a mixture of crumbling venerable walls and buildings alongside more modern touches, like grafitti and neon lights. Wet pavement and puddles help to sell the mystical, tense and occult mood. Atmospheric lighting, fog and details show the thin separation between the mystical and the mundane. Realistic, dark, noir, gritty, modern, ue5, cinematic, moody
1980s paperback book cover, Shorecliff Manor loomed ahead, a massive Queen Anne Victorian with gables and turrets that clawed at the sky. Its exterior was painted a faded blue-grey, the color of the sea in winter, with dark shutters framing tall windows. The tower on the west side jutted up like a watchful sentinel, and atop it, the widow’s walk stood eerily silhouetted against the twilight, sitting high on a cliff overlooking the Pacific Ocean surrounded by pine forests and fog. --ar 2:3 --v 6.1
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