Spongebob looking sad and hungry

gorilla, with mouth open hungrily with rayban sunglasses on with a field of blue mushrooms in the reflection of the sunglasses lense with dre beats headphones on; realistic lighting; tattoo realism design; zoom out 2x; isolated on white background with clipping path

simplified the pineapple house from Spongebob square pants hand-drawn in colored pencil, in the style of Nickelodeon cartoons, white background three color limit, starfish, jellyfish, snails, and drawn to appeal to twelce year old children, t shirt design --ar 5:6

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gangster spongebob in a green suit smoking a cigar with money poking out of his suit

xenomorph from alien, full body shot. animal position. kneeling, hiding in spaceship nostromo in a smalldark tunnel. looking like the first movie alien, very dark and very dim setup, very little light. cinematic looking, very realistic. the xenomorph looks very hungry and thin, famished. color palette greenish --ar 16:9

the pineapple house from Spongebob square pants hand drawn in pink, yellow and green colored pencil, in the style of Nickelodeon, fireplace pipe with bubbles coming out of it, starfish, jellyfish, snails, and drawn to appeal to twelve year old children, t-shirt design --ar 5:6

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the pineapple house from Spongebob square pants hand drawn in colored pencil, in the style of Nickelodeon, three colors limit, starfish, jellyfish, snails, and drawn to appeal to twelce year old children, t shirt design --ar 5:6

real-life medium shot of a man with a hungry, serious expression, holding a hamburger in one hand and mid-bite, chewing a third of the burger, while reaching into the fridge with his other hand, grabbing a jar of mayonnaise. The fridge is 190 cm tall, filled with unhealthy food like half a stick of sausage, salo (pork fat), onions, dumplings, mayonnaise, and ketchup. The man is 180 cm tall, has a body type similar to the character in a white T-shirt from the reference, daylight naturally filling the room. Shot with a Canon EOS-1D X Mark III, 50mm lens, realistic textures and natural colors --ar 4:5 --style raw --quality 2

Quokka mother running towards the camera and abandoning her baby behind her. The baby is sadly left behind near a hungry fox. Photorealistic, sunny and tropical atmosphere --ar 16:9

SpongeBob Square pants Screengrab of 1950´s Super panavision 70 movie. Retro in color. Imagine shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors. 9:16

real-life medium shot of a hungry man, standing up to his waist, mid-bite and chewing on a third of a hamburger, with pieces of bun and vegetables sticking to the corners of his lips, his expression showing clear hunger, the open fridge beside him is 190 cm tall with less colorful food inside, including half a stick of sausage, salo (pork fat), onions, dumplings, mayonnaise, ketchup, and other unhealthy food, daylight filling the room naturally, the man is 180 cm tall, shot with a Canon EOS-1D X Mark III, 50mm lens, realistic textures and natural colors --ar 4:5 --style raw --quality 2

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squidward yelling at spongebob Screengrab of 1950´s Super panavision 70 movie. Retro in color. Imagine shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors. 9:16

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A chibi-style SpongeBob SquarePants dressed as a Gryffindor student. SpongeBob is wearing red and gold Gryffindor robes and is joyfully participating in a magical duel with a wand, creating playful and colorful spell effects. The scene is set in a Gryffindor common room or a magical classroom, with a fun and energetic atmosphere reflecting SpongeBob’s cheerful personality. High quality, 8k resolution. --ar 9:16

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Hungry Hungry Hippos, --ar 9:16 --style hVsmHEJHxly49I1T --s 250 --v 5.2

There are no polar bears left on Bear Island - at least, that’s what April’s father tells her when his scientific research takes them to a faraway Arctic outpost. But one night, April catches a glimpse of something distinctly bear-shaped loping across the horizon. A polar bear who shouldn’t be there - who is hungry, lonely, and a long way from home. ATTACK BEAR FILM POSTER REALISTIC DARK ATMOSFER --ar 2:3