Homeless person disassembling Olympic rings for scrap metal

two chain rings forming capital letter S, in metal, elegant, organic, modern logo

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artwork rockstar games, artwork of gta 5, cel shading, cel art. Subway station entrance in midtown Manhattan. Homeless guy next to barrel. Woman walking her dog. Pedestrians walking around. Daytime

illustration of a simple ring band in dark metal with a a tiny fire magic stone embed --v 5.2

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homeless black woman with relaxed straight hair next to a white homeless man in the middle of a dirty new york street in super realistic imax cinematic style. --ar 16:9 --v 5.2

humanoid amalgam of junk, scrap metal, gears, metal parts, sharp objects, glass pieces, all mashed together to create a humanoid figure, background is a junkyard, fantasy art style. --ar 5:7

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an initiate assassin is disgused as a homeless person on the medieval fantasy docks

corporate employees sorting and packing socks in a homeless shelter

close up of person handing a homeless man some food --ar 16:9 --v 5.2

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homeless black woman with relaxed straight hair next to a white hobo in the middle of a dirty new york street in super realistic imax cinematic style. --ar 16:9 --v 5.2

"A group of fierce, ragtag gang members clad in a mix of patched-up leather jackets, scavenged armor, and improvised metal plating. Their clothing is adorned with spikes, rivets, and symbols made from welded car parts. They wear makeshift masks or helmets fashioned from gas masks, welding goggles, and pieces of automotive scrap. Each carries a variety of brutal, improvised weapons, like chainsaws, tire irons, and sharpened hubcaps. Some have engine parts and car emblems worn as trophies. They are lurking amidst the shadows of an old, industrial scrap yard, surrounded by towering stacks of rusted cars and scrap metal. Neon lights flicker in the background, casting eerie shadows across their scarred and hardened faces."

Dwarf prisoner behind thick metal bars in a small cell, lord of the rings, fantasy, black and white, line drawing --ar 2:3

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