African-American gangsters in 1920s Harlem Nights

1950’s pictograph off five nights at Freddie’s

abstract painting of a black woman with Locs. Painterly brush strokes. Harlem renaissance style.

Oil Painting of inside the cotton club Harlem New York roaring twenties, Louis Icart's etching style, Erte, extremely beautiful african american people, art deco, art nouveau, tarot art, extremely fine detail, 3d, octane render, hdr, Harlem scene, high tonal contrast, double exposure, 8k, --ar 8:5 --s 750 --v 6.1

: "In a vivid landscape teeming with the landmarks, icons, and figures of the Harlem Renaissance, your task is to find Langston Hughes. Nestled among jazz musicians, poets, and revolutionaries, he holds a notebook containing the verse that defines an era. As you navigate through smoky jazz clubs, bustling streets, and intellectual salons, remember: in this world, Hughes isn't just a man; he's a symbol of unquenchable creativity and resilience. How quickly can you spot him?

1920s, dimly lit remote single story speakeasy at night on a wide lawn, the external facade is all stone with thick wooden windowsills and big windows, a long walkway with Doric columns and shrubs on either side, leading up to a heavy wooden front door, with a short awning, unassuming, montauk highway, old timey

a home bar in a finished basement with base cabinets in the style of a speakeasy

Harlem renaissance type painting of a black family. Solid colors

a converted industrial attic from 1920 converted into a speakeasy and gambling parlor. There's a self-serve bar just big enough to seat 4 people. There's an antique slot machine and a poker table. The space is cramped and the ceiling angled. in the style of art deco industrial. --ar 3:2

photograph of a realistic spooky Halloween speakeasy, glamourous, luxury, appealing interior design, colorful glowing drinks, night, cinematic lighting, candles, slightly smokey drinks, decor, spooky lighting, octane engine, --no webs or skulls

3d illustration Five Nights At Freddys

"A third-person wide-angle shot from behind a black classic BMW as it drives down 125th Street in Harlem, New York. The camera follows the car from behind, showing the bustling urban streets and iconic Harlem landmarks. Inside the car, four young men are visible: the driver with an afro, wearing a hoodie, the front passenger with braids, wearing a collared shirt, and two men in the back--one with short hair and Black skin, the other White, wearing a hoodie. The car is captured in motion with a slight motion blur, showing speed as it cruises through the city streets. The photo is shot in Kodak 8K with a 9:16 aspect ratio, maintaining the same cinematic, urban, and vibrant feel from the previous scene. The lighting is natural and warm, with the streetlights and city atmosphere reflecting off the car as it drives through Harlem."

Harlem Globetrotter character sheet, front and back, side poses, close up of diverse face angles, comics in the style of Federico Frempke, --ar 16:9