Police officers bench pressing at the gym

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blonde female bank robber fighting with police officers, 1970s, colourised --v 6.0

"A detailed scene of emergency procedures in action: a first aid team attending to a patient at the scene of a traffic accident, with emergency vehicles in the background. The setting should include paramedics performing CPR, firefighters assisting with vehicle extrication, and police officers managing the traffic flow. The image should be set in a realistic, busy road environment, reflecting a well-coordinated emergency response. The overall atmosphere should convey urgency and professionalism."

a indian police officer in mask full body in a white background --ar 9:16

man snorting powder off table --ar 9:16

ballpoint pen sketch style British police being briefed on an investigation

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"A realistic Dutch road scene featuring a traffic stop with police officers. Vehicles are shown driving slowly as they approach the traffic stop, with drivers following the instructions given by the officers. The scene includes visible police vehicles, officers in uniform directing traffic, and clear road signs indicating the traffic stop area. The background includes typical Dutch road elements, such as road markings, streetlights, and nearby buildings. The atmosphere emphasizes the importance of reducing speed and adhering to police instructions to ensure the safety of traffic officers and other road users."

American 18 year old young woman wearing a gray t-shirt, in police custody, --ar 9:16

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australia police, close-up, --ar 4:5 --v 5.2

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Two overweight female police officers, exuding confidence and arrogance, engaged in conversation while standing next to a police SUV in the center of a very upscale, futuristic subdivision. Medium: Rendered in an oil painting style, capturing the atmospheric solitude and emotional depth characteristic of Edward Hopper's works. Style: Hyper-realistic with a focus on intricate details, such as the fabric of the uniforms, the SUV, and the high-end, futuristic architecture of the subdivision, all imbued with Hopper's sense of isolation and introspection. Lighting: Late afternoon lighting casting long shadows and illuminating their confident facial expressions, the SUV, and the upscale subdivision, evoking Hopper's dramatic use of light and shadow. Colors: Muted blues for the uniforms, metallic grays for the SUV, and subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if shot with a Canon EOS 5D Mark IV DSLR camera, EF 24mm f/1.4L II USM lens, with a wide depth of field to include both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750

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interior of police headquarters Chicago --ar 16:9