Epic Greco-Roman Mythology Gods Battle
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Create a epic battle capturing the epic and chaotic scene of the War in egypt. The image should depict a vast battlefield outside the towering walls of the palace, with the roman legion defending the palace. roman and egyptian soldiers engaged in fierce combat. Soldiers clad in traditional roman armor, wielding gladius swords and scutum shields, egyptian army should be seen clashing with the valiant Romans, Nikon D850, Fujifilm Velvia 50 color film, Nikkor 24-70mm lens, low-angle shot, wide aperture to capture the breadth of the battle, slow shutter speed to blur motion and add intensity, Stanley Kubrick, Christopher Nolan, Annie Leibovitz, Vivienne Westwood --ar 16:9 --v 6.0
Justitia Roman goddess of justice, 2D, league of legends style --v 5.2
walls of Asgard in Norse Mythology, ancient gods on the sky, mythical realms, Thor's hammer, mystic, epic, cinematic, book cover style, 8k, poster-style
Fenrir is known as a feared being among the gods and swallows Odin in the final battle. Jormungandr, as the giant serpent of the seas, engages in a deadly fight with Thor. At first he fights on the side of the gods, but eventually betrays and defects to the side of his enemies.
a photorealistic image of a gold muscled cuirass inspired by Roman mythology. Emulate the intricate detailing and craftsmanship commonly found in depictions of Roman gods and heroes. The cuirass should feature lifelike musculature, ornate designs, and a rich gold color reminiscent of ancient Roman art. Render the cuirass in high-resolution detail with a focus on capturing the texture and sheen of the golden surface. Pay attention to the fine details of engravings, embossments, and any iconic motifs associated with Roman mythology. Use photorealism mode to ensure the cuirass appears as if it were an actual artifact from Roman mythology."
Beginning from the 2nd century BC onwards, Greek texts attributed to Hermes Trismegistus, a syncretic combination of the Greek god Hermes and the Egyptian god Thoth, appeared in Greco-Roman Egypt. These texts, known as the Hermetica, are a heterogeneous collection of works that in the modern day are commonly subdivided into two groups: the technical Hermetica, comprising astrological, medico-botanical, alchemical, and magical writings; and the religio-philosophical Hermetica, comprising mystical-philosophical writings.[5] These Greek pseudepigraphal texts found receptions, translations and imitations in Latin, Syriac, Coptic, Armenian, and Middle Persian prior to the emergence of Islam and the Arab conquests in the 630s. These developments brought about various Arabic-speaking empires in which a new group of Arabic-speaking intellectuals emerged. These scholars received and translated the before-mentioned wealth of texts and also began producing Hermetica of their own.[6 --v 6.1
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