Ghostly Abandoned Supermarket Aisle Haunted by Shadows

interior design of healthy food department in a supermarket, which consists of organic flour, cereals, drinks on a high rack 1.9 meters high, healthy food products such as cereals, muesli, bars are placed on the rack, the aisle distance from one rack to the second one and a half meters, eco-friendly style, emphasize the naturalness of products with the interior design of this department, add visual communication with a focus on health, minimalist style with elements of nature and organic --style raw --s 250

a grocery store aisle on the left, blue colours, on the right the open aisle, --ar 16:9 --v 6.0 --s 50

ghost

Create a surreal and haunting illustration in Edward Gorey’s signature style, depicting a humanoid rabbit figure clad in sleek black attire. Use meticulous cross-hatching to render the latex material with depth and texture, emphasizing the interplay of light and shadow on the reflective surface. The figure should stand upright, her posture neutral and poised, exuding both elegance and unease. Her mask-like rabbit face should remain expressionless, reflecting Gorey’s theme of emotional detachment and ambiguity. The setting should resemble an abandoned, decayed chapel with broken pews and remnants of stained-glass windows in the background. Render these elements with fine linework to convey both the beauty and decay of the space, creating a sense of timeless melancholy. Include minimal but symbolic objects--such as an old clock partially buried in dust or a lone black bird perched on a cracked window--hinting at themes of time, loss, and mystery. The composition should make effective use of negative space, with much of the background fading into shadow, enhancing the feeling of isolation. The overall scene should evoke a tension between elegance and discomfort, where the surreal presence of the rabbit figure contrasts with the ruined surroundings. This eerie balance between beauty and unease captures the essence of Gorey’s narrative style, leaving the meaning open to interpretation.

plan of railing of abandoned ship, only the railing, right side, very deteriorated, ghost ship, front view, we are seeing it as if we were standing in a door, the railing is in front of us, the floor is very deteriorated by the passage of the time,titanic , closed up --s 500

A dense, dark forest with towering, skeletal trees that appear lifeless. At the center, there's a ruined, crumbling stone structure covered in moss and overgrown with thorny vines. Ghostly figures float among the trees, and a feeling of dread permeates the air. The moonlight barely penetrates the thick canopy, casting long, ominous shadows. --ar 16:9 --s 750 --v 6.1

A dark, unsettling liminal backroom space, dimly lit by flickering, buzzing fluorescent lights casting sickly yellow-green shadows. The walls are stained, peeling, and slightly damp, covered in mysterious black mold creeping from the corners. The endless hallways stretch into darkness, filled with unsettling silence, broken only by faint, echoing whispers and the occasional distant thud. Doors are slightly ajar, leading into smaller, cramped rooms where rusted pipes leak an unknown liquid, forming puddles on the dirty, cracked linoleum floor. The air is thick and oppressive, with a hint of mildew and decay, as if no one has entered for decades. Shadows loom, seeming to move just out of sight, hinting at something watching or lurking beyond the weak, dim light. Small, outdated furniture and strange objects are scattered around, as though someone--or something--had been there but left in a hurry. The overall scene feels abandoned yet alive, creating a sense of dread and paranoia, as if someone is always one step behind you, watching from the darkness Photography by eiko ishioka + surreal, 80s horror style images:: Film still, weird ritualistic Characters , ritual in the weird dimension, inflatable textile technical fabric. hedonistic scene, by Kubrick, by Jodorowsky, by Wes Anderson, by Verner Panton, Vogue, hyper realism, master, Sony Alpha a7 8k + Hasselblad 800mm lense, Film still, 50s street photography, surrounded by otherworldly, and weird art humans in fancy 70’s clothing , by Verner Panton, Vogue, hyper realism, dynamic composition, super detailed, intricate details, HDR + colorful Editorial. Shiny colors, Photography, Lensed by eiko ishioka and Absolon Stumme, details and compostition by George Mayer, high resolution, retro futuristic, retrofuturism, 32K [...]

A vintage-style illustration pattern featuring a haunted mansion theme, designed to repeat seamlessly as a tile. The central motif is a series of eerie, Victorian-era mansions with gothic architecture, characterized by tall, pointed roofs, intricate ironwork, and crumbling facades. The windows of the mansions are broken, with jagged glass shards that reflect a ghostly glow. From these windows, faint silhouettes of ghosts and spectral figures emerge, their translucent forms floating through the air. Each ghost is unique, with flowing, ethereal shapes that evoke a sense of mystery and dread. Surrounding the mansions, there are gnarled, leafless trees whose twisted branches reach out like skeletal fingers. In the background, a misty night sky is depicted with a full moon partially hidden behind dark, swirling clouds, adding to the ominous atmosphere. The illustration style is reminiscent of early 20th-century horror storybook illustrations, with fine ink lines, crosshatching, and a muted color palette dominated by shades of gray, sepia, and faded blue. Occasional pops of pale yellow or eerie green glow from the ghostly apparitions and broken windows, enhancing the haunted and vintage feel. The overall composition is designed to form a continuous, repeating pattern that captures the essence of a spooky, forgotten mansion lost to time, creating a chilling yet captivating tapestry that feels like it belongs on the cover of a classic ghost storybook.

An eerie, abandoned fairground at dusk, with rusting rides, faded signs, and overgrown grass, the last light of the day casting long shadows over the forgotten attractions, 1:1 --v 6.1

hyperrealistic; bright light; a deserted supermarket aisle; a gaunt, barefoot woman stands in the middle of it, back to us; her skin is mottled and grey; she has a faded tattoo of a rose on her bony shoulder