Contrasting futuristic city and dystopian dystopia

I'm looking for an image where only the head Eckhart Tolle is visible. Everything else in the frame should be pitch black, no background details, no shoulders, no distractions--just the head. The focus should be solely on the head, creating a stark contrast against a completely black backdrop. --ar 16:9

A split image with two distinct sides. On the left, depict 100 hostages in Gaza, showing them in a state of distress and sadness. On the right, place a pita bread, centered and in clear focus. The contrast between the two sides should emphasize the disparity in attention and importance given to these different issues. The background should remain neutral and unobtrusive to highlight the elements

ucifer vs arch angel michael in a dystopian setting, smoke end glowing embers,, realistic, visual stunning, good vs evil hyperrealistic

a soundwave graphic in black and white , city landscape

beatiful empress from the future, wearing nanotech, trapped in modern day New York --v 6.0

Sonyanga Ole Ngais, a Maasai warrior in full regalia, standing in front of a modern skyscraper in a bustling city, a stark contrast between the ancient and the modern, his piercing gaze and stoic expression suggesting a quiet confidence and pride in his heritage, mixed media artwork, combining acrylic paint and pencil sketches, --ar 1:1 --v 5

dirty man at luxury wedding reception

Create an illustration in the style of Edward Gorey, featuring two figures in an intimate, almost ceremonial pose. One character wears dark, intricately patterned garments, adorned with tattoos and metallic accents, while the other is dressed in minimalist white, with sleek and elegant lines. Use cross-hatching extensively to render shadows and textures, emphasizing the contrast between their outfits. Their expressions should remain neutral, evoking a sense of detachment and quiet mystery. Keep the background minimal, using negative space effectively to enhance the focus on the figures. Introduce subtle symbolic elements, such as geometric shapes or delicate, glowing motifs, to hint at hidden themes of unity and tension. Capture the eerie elegance and surreal atmosphere characteristic of Gorey’s work.

A picture of the city of Khartoum, beautiful and clean buildings, a background of a picture of destroyed and burned buildings --s 750 --style raw

In the eerie stillness of an abandoned city, the once-lustrous crystalline spires stand as haunting silhouettes, partially submerged in water. The bioluminescent glow that once painted the structures with vibrant colors has dulled, now casting a feeble, ghostly radiance. Bridges, worn and weathered, dangle precariously, their once-taut strands now sagging into the water. Hovering transportation platforms, now silent and motionless, drift listlessly along their deserted routes. The transparent tubes, once bustling with swift travel, echo with the occasional creak as they sway in the waterlogged breeze. The suspended gardens, now tangled masses of aquatic vegetation, float aimlessly, their bioluminescent blooms replaced by the soft luminescence of submerged life. As water ripples through the abandoned thoroughfares, fish navigate the submerged streets, weaving through the skeletal remains of a once-thriving metropolis. The alien geometry of the structures, now encrusted with algae and barnacles, creates an unsettling fusion of the familiar and the extraterrestrial. The submerged city, now a silent and surreal underwater relic, tells the tale of a civilization that once sought to defy both earthly and alien boundaries but succumbed to the inexorable passage of time.