Photorealistic image of futuristic gated subdivision

A larger than life reality TV star moves into an idyilic gated community where she slowly begins to realize that not only are she and her daughter the only black people… they’re the only humans. Invasion of the Body Snatchers meets Get Out with a modern found footage comedy twist.

A realistic movie poster set in an exclusive gated community in the desert on the outskirts of Los Angeles, where children are being abducted, with a dark atmosphere --ar 2:3

photorealistic dystopian futuristic brutalist megastructure metropolis dark alley, neon lights, atmospheric, no filters, symmetrical. --ar 9:16 --v 6.1

brutalist in charcoals old paper,

70mm film, black and white 12mm very wide angle and distant shot of an abandoned brutalist architectural complex, skyline, aerial view, 8k --ar 21:9 --v 6.0

Two overweight female police officers, exuding confidence and arrogance, engaged in conversation while standing next to a police SUV in the center of a very upscale, futuristic subdivision. Medium: Rendered in an oil painting style, capturing the atmospheric solitude and emotional depth characteristic of Edward Hopper's works. Style: Hyper-realistic with a focus on intricate details, such as the fabric of the uniforms, the SUV, and the high-end, futuristic architecture of the subdivision, all imbued with Hopper's sense of isolation and introspection. Lighting: Late afternoon lighting casting long shadows and illuminating their confident facial expressions, the SUV, and the upscale subdivision, evoking Hopper's dramatic use of light and shadow. Colors: Muted blues for the uniforms, metallic grays for the SUV, and subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if shot with a Canon EOS 5D Mark IV DSLR camera, EF 24mm f/1.4L II USM lens, with a wide depth of field to include both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750

logo for a new high end subdivision

brutalist realistic faces architecture amalgamation wondering why we can’t find each other surreal contrast

a brutalist pyramid the painting should look like "The Descent from the Cross" by "Rogier van der Weyden"

brutalist, blurry --ar 4:5 --style raw-73nqQpXlcuqs9ueK --stylize 1000 --c 55

series of African tribal cyberpunk characters cards, minimal line drawings, vector graphics, graphic design, cyberpunk brutalist graffiti African tribal style, black white and red color palette --ar 9:16 --v 6.0

Two overight confident and arrogant female cops, standing and talking next to their police Ford Explorer in the center of a spacious, upscale, futuristic subdivision. Medium: Rendered in an oil painting style, evoking the texture, depth, and emotional resonance of Edward Hopper's art. Style: Ultra-detailed, emphasizing the confident and arrogant poses, the SUV, and the intricate details of the upscale, futuristic subdivision, all while capturing the loneliness and contemplation often seen in Hopper's work. Lighting: Overhead midday sun, creating stark contrasts and deep shadows on them, the SUV, and the luxurious architecture of the subdivision, reminiscent of Hopper's dramatic lighting. Colors: A palette dominated by cobalt blue for the uniforms, and a mix of subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if captured with a Nikon D850, using a 28mm f/1.4 lens, with a wide depth of field to capture both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750