Logo for Film and Television Professionals Exhibition

film still of a darkened sci-fi room displaying sculpture of Michelangelo's Creation of Adam, filmic, Arri Alexa --ar 16:9

我有一個室內的展示場大約有300平方公尺 他是一個很高階的接待場所裡面只用原木跟植物來佈置讓人走進來會有一種高質感新生活的空間會有一個小型的吧台

primitive one color dark blue logo for film indudtry technology exebition location riga latvia

Exhibition Stand building company logo with emphasis on the letter O

a realistic A dentist explains to the visitors of the exhibition on stage the types of new and modern smiles

A zone in an entertainment exhibition called: TV ZONE. The zone theme should be characterized by a vibrant color palette, including fuchsia, blue, yellow, purple, and white, to enhance the visual impact and overall atmosphere. --ar 16:9

Create a Film and television companies logo,dragon, Use red and yellow colors and let it be known that he is Engaged in film and television production, editing, investment, and other work and the company's name is 盛世如熠 --s 250 --niji 5 --style scenic

Exhibition trade show design, a dense grove of young tall and thin Aspin trees in a warehouse, hyper-realistic blue/purple lighting and atmosphere, Fujicolor, film grain, Fujifilm, award-winning, HD --ar 16:9 --v 5.2

Chinese troops marching into Korea, traditional armor, flags - photorealistic, 8k, HDR, high resolution, shot on IMAX Laser, intricate details --ar 9:16 --v 6.0

design logo for design exhibition ideas

Two overight confident and arrogant female cops, standing and talking next to their police Ford Explorer in the center of a spacious, upscale, futuristic subdivision. Medium: Rendered in an oil painting style, evoking the texture, depth, and emotional resonance of Edward Hopper's art. Style: Ultra-detailed, emphasizing the confident and arrogant poses, the SUV, and the intricate details of the upscale, futuristic subdivision, all while capturing the loneliness and contemplation often seen in Hopper's work. Lighting: Overhead midday sun, creating stark contrasts and deep shadows on them, the SUV, and the luxurious architecture of the subdivision, reminiscent of Hopper's dramatic lighting. Colors: A palette dominated by cobalt blue for the uniforms, and a mix of subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if captured with a Nikon D850, using a 28mm f/1.4 lens, with a wide depth of field to capture both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750