Grungy Healins Neon Photo

a cinematic scene of hong kong bridge at night in dark and neon lit atmosphere, a strange and yellow rain puoring down, some men in the distance, sad and serious, dramatic feeling. extreme long shot, low angle, ultra wide angle, saturated colors, film photography, film grain, film style of "fallen angels" by Wong Kar-wai --aspect 16:9 --weird 1000 --s 750 --v 5.2 --style raw

Abstract dark gradient with subtle film grain texture, minimalist black background, cinematic black and white, deep shadows, professional photography, ultra detailed --ar 1:1 --v 6.0 --s 250

Photo. Shot of two friends meeting near a house in the woods,near a lake. Neon light leaks, film look, film grain, high resolution, shot on ARRIFLEX 435 35mm Robert Adams --ar 16:9 --s 250

"death becomes her", Directed by Ed Wood, special effects by ray harryhausen, y2k aesthetic, 80’s horror aesthetic, lookbook Photography, film grain, technicolor, vivid colors, neon, kitsch, movie still

Ken Dodd Polaroid photograph, film grain, in a brass perforated sheet metal arena. Dark room, bright Neon. Electromechanical, retro futurism, space age,--ar 7:5

the super hero invincible but set in a 1950s Panavision tv scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen 16:9 aspect ratio

Japanese woman in her 30s is running up a escalator of a train station, shooting from behind , shot by film camera, shot by Daido Moriyama photographer , film grain, Kodak, bright flash, fast action, motion blur, blurred --v 6.0 --ar 16:9

A slow shutter speed capture of a pedestrian crossing in Jakarta, from a nearby building's window, blurring the movement of people crossing, street lights creating a tapestry of motion trails, subtle greenish tint on shadows, muted colors, film grain --v 6.0 --ar 9:16 --style raw

35mm film strip, the cells showing a burning man, spliced in over his face is another film cell of smiling women, photorealistic, portrait poster, film grain, kodak stock

Outside of Alexander Sasha Shulgin's lab at night, film grain, kodak portra 800, sony vx1000 fisheye lens, harsh flash --ar 24:14

35mm film,photograph,film grain,California redwood Forrest,sasquach