Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera

Illustration of Filming with Panavision Camera

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Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera
Illustration of Filming with Panavision Camera
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a 70 year old guy from duck dynasty filming you with a camera in mortal kombat, cinematic

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a gray outfit sitting on his office cubicle, behind him are a couple of people comforting him, high angle --ar 16:9

"Background scene for filming financial investment videos, designed for use with a green screen. The scene is professional yet approachable, offering a serious but not overly formal atmosphere. A modern and elegant workspace with a sleek desk, subtle decor, and a few plants. There are two light sources: one coming from behind the camera, creating soft front lighting, and another from behind and to the side, simulating sunlight entering through a window as it would appear in the early afternoon. Classy but not pretentious."

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a white outfit sitting in his room, he is holding a 5R frame size whille talking to it, medium close up --ar 16:9

a camera crew filming forward, in the madagascar jungle filming forward, symmetrical, day time, cinematic, realistic, dslr, in the style of grieg fraser --ar 16:9

Shots from 1980s postapocalyptic horror movie, eerie atmosphere, heavy rain, loneliness, Hyperrealistic, Filmed with Panavision Panaflex Camera, 1980s movie esthetic, directed by John Carpenter

filming set, digital illustration, digital painting, drawing, broad brushstrokes in the style of David Hockney, semi-neutral colors --no tripod camera people --ar 213:224

An african space captain unveiling a new weapon on his space ship known as "the world ender" ,Arriflex 35-III, Arri 35II, 3D, full shot, hyperrealism, shot on panavision, rim light, lens flare, dramatic lighting HDR, cinematic style 70mm lens, depth of field, DOF, tilt blur, shutter speed 1/1000, F/22, white balance, 32K, ProPhoto RGB, colour halftone, backlight, natural light, incandescent, mood lighting, cinema lighting, studio lighting, soft lighting, volumetric, counter, dark lighting, global lighting, global screen area lighting, ray tracing global lighting, colour gamut Brilliant 45%, Optics, Dispersion, Flare, Raw, Luminosity, Ray-traced reflections, Lumen reflections, Screen area reflections, Aberration grading, Chromatic aberration, Raster, Ray tracing, Ray tracing perimeter occlusion, Smoothing, RTX SSA O, OpenGL-Shaders, G LS L-Shade rs, torrent shaders, tone mapping, CGI, visual effects, intricate, elegant, ultra-realistic, highly detailed, mode dynamic, medium, --style 1vFfhUxIIZYPB7BiG5PumuWS4 --s 750

leo di caprio in titantic in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style.

Screengrab of 1950's Super Panavision 70 movie. Retro in color. The image is a night-time street scene featuring a vibrant red sports car, likely a modified Porsche, driving through a dimly lit urban area. The car has a sleek, low-profile design with prominent headlights and a noticeable spoiler. The car's headlights cast a glow on the pavement. The background is a digital painting of a dark, eerie swamp landscape under a large, glowing full moon. The scene is dominated by twisted, gnarled trees with hanging moss, creating a haunting atmosphere. The moonlight casts a pale, greenish hue over the entire scene, reflecting off the still, murky water of the swamp. In the background, there are ancient, crumbling stone structures partially obscured by fog, adding to the mysterious and foreboding ambiance. The overall color palette is dark and muted, with shades of green, gray, and black, enhancing the sense of desolation and otherworldliness. --ar 9:16

thousands of jedis with lightsabers marching on the streets of Gaza with banners supporting palestine, as shot on Panavision Panaflex Gold II, CAMÉRA FILM 35 MM, maximalism, --ar 5:4 --s 750 --v 5.1

A realistic scene of a young Italian male with brown hair, wearing DJI Goggles V3 and holding a Motion Controller 3, sitting in an open-air section of a luxurious Airbnb intensely focused on filming, surrounded by stylish outdoor furniture and greenery. The lighting is soft from the side, emphasizing the natural textures of the environment. Photography style raw, extremely detailed, high resolution, --style raw --v 6.1 --ar 9:16 --q 2 --stylize 1000

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