Illustration of Filming with Panavision Camera

a camera crew filming forward, in the madagascar jungle filming forward, symmetrical, day time, cinematic, realistic, dslr, in the style of grieg fraser --ar 16:9

leo di caprio in titantic in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style.

thousands of jedis with lightsabers marching on the streets of Gaza with banners supporting palestine, as shot on Panavision Panaflex Gold II, CAMÉRA FILM 35 MM, maximalism, --ar 5:4 --s 750 --v 5.1

"Background scene for filming financial investment videos, designed for use with a green screen. The scene is professional yet approachable, offering a serious but not overly formal atmosphere. A modern and elegant workspace with a sleek desk, subtle decor, and a few plants. There are two light sources: one coming from behind the camera, creating soft front lighting, and another from behind and to the side, simulating sunlight entering through a window as it would appear in the early afternoon. Classy but not pretentious."

fast and furious movie set of downtown los angeles shot in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen 16:9 aspect ratio

full view, watercolor realistic art illustration of a girl, holding a camera, blonde hair styled in a loose braid, in beige, blue, green, white colors, with golden accents, on white background, graphics in full without cuts, graphics in the middle --v 6.1

a 70 year old guy from duck dynasty filming you with a camera in mortal kombat, cinematic

Screengrab of 1950's Super Panavision 70 movie. Retro in color. The image is a night-time street scene featuring a vibrant red sports car, likely a modified Porsche, driving through a dimly lit urban area. The car has a sleek, low-profile design with prominent headlights and a noticeable spoiler. The car's headlights cast a glow on the pavement. The background is a digital painting of a dark, eerie swamp landscape under a large, glowing full moon. The scene is dominated by twisted, gnarled trees with hanging moss, creating a haunting atmosphere. The moonlight casts a pale, greenish hue over the entire scene, reflecting off the still, murky water of the swamp. In the background, there are ancient, crumbling stone structures partially obscured by fog, adding to the mysterious and foreboding ambiance. The overall color palette is dark and muted, with shades of green, gray, and black, enhancing the sense of desolation and otherworldliness. --ar 9:16

filming set, digital illustration, digital painting, drawing, broad brushstrokes in the style of David Hockney, semi-neutral colors --no tripod camera people --ar 213:224

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a white outfit sitting in his room, he is holding a 5R frame size whille talking to it, medium close up --ar 16:9

Create an illustration of two cartoon cats in a playful setting. The first cat is a sleek black-and-white cat with a mischievous expression, holding a smartphone as if it's filming. The second cat is a chubby yellow cat with a joyful expression, looking excited and ready to dance. They are in a cozy living room with a soft rug and a window showing a sunny day outside. Include playful elements like a ball and a few cat toys scattered around, emphasizing their fun personalities and the lighthearted vibe of their interaction.

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a gray outfit sitting on his office cubicle, behind him are a couple of people comforting him, high angle --ar 16:9