Mystical Victorian sect altar with skull
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altar of the door great mechanical styled deity, socks are lying on the stone in the center, washing machines are standing around, mystical ominous atmosphere, large scale --quality 2 --v 6.1
An elderly Korean woman, 86 years old, sitting at a church altar desk with her hands clasped in prayer. In front of her, there is an open Bible resting on the desk. The interior of the church is bright and welcoming, with soft sunlight filtering through stained glass windows, casting colorful patterns on the floor. The atmosphere is serene and spiritual, evoking feelings of peace, hope, and faith. --ar 9:16
secret sect summoning The Devil in dark cave with portal in the background
[d3923b488] Bashu, has always been known as the land of abundance, among which, the most famous sect is none other than the Tang Sect. The location of the Tang Sect is a mysterious place. Many people only know that it is halfway up a mountain, and at the top of the mountain where the Tang Sect is located, there is a terrifying name--Guī Jià n Chóu (Ghost's Grief). Throwing a stone from the Guī Jià n Chóu cliff, it takes a full nineteen seconds to hear the echo of the stone falling to the bottom of the mountain, indicating its height. It is precisely because of these nineteen seconds, which surpass even the eighteen layers of hell, that it earned its name. A young man dressed in gray is standing at the peak of Guī Jià n Chóu, and the biting mountain wind cannot move his body in the slightest. From the large Tang character on his chest, it can be recognized that he is from the Tang Sect, and the gray clothing represents the outer disciple of the Tang Sect. He is twenty-nine years old, having entered the Tang Sect shortly after birth, and ranks third among the outer disciples. Therefore, the outer disciples call him "Third Young Master." Of course, when it comes to the inner disciples, he becomes Tang San. --v 5.2 --ar 16:9 --c 0
a watercolor of a young girl in her early teenage years, with light brown hair and blue eyes. She is wearing an old-fashioned bonnet on top of her head and is dressed in simple dark gray from that era. Her expression reflects innocence. The background is a Christmas scene from the Victorian era. --ar 5:7 --v 6.1
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