Vibrant graphic scene with variety

On the surface of an alien world, an astronaut stands alone, surrounded by a landscape of alien beauty. In the sky above, a breathtaking array of planets looms, each one distinct and awe-inspiring. The nearest planet is a vibrant blue, casting a soft light on the rugged terrain below. The astronaut's suit, a sleek design of white and silver, glows subtly in this alien light. Their posture is one of contemplation, as they take in the sight of these distant worlds, so different from their own. The terrain is a mix of sharp rocks and smooth plains, creating a stark contrast to the wonder in the sky. This image is a testament to the human spirit's drive to explore the unknown, a lone figure against the infinite canvas of space. Photo taken by Lorna Simpson with a Fujifilm GFX 100 and a 32-64mm lens, Award Winning Photography style, Natural lighting with a touch of artificial illumination, 8K, Ultra-HD, Super-Resolution. --v 5.0

graphic symbol for kinetic damage in lovecraftian world

an etching of an early world map, showing folds, as it used to be folded and forgotten,, shot from above, aerial view, in a basic not to elaborate style, roughly sketched, with a route that goes through different landscapes, on it : a village, a forest, a bridge, mountains, a valley, a dragon, a holy grail, highly detailed, medieval, inspired by the maps of game of thrones and lord of the rings

create a graphic poster for my social media campagne that connect the world world in blue color and white lines. Cities should be displayed in , --ar 4:3 --v 5.2

divers deep diving in the depths of the ocean realistic photo --ar 141:100 --s 750

highschool stduent standing behind a coin-operated binocular. the view shows the stduent form the front. face not visible behind the binocular. the binocular front looks like the face of the owl of Athena

hyperpop city

game concept,Durango style,post-apocalyptic,dinosaur age,npc.

Boy exploring the ancient alien planet, unusual terrain, unusual sky, large alien creature in background, by Jean Giraud and Zdzislaw Beksinski --ar 3:2