Image of exorcising ghosts in progress

cozy, cute haunted house in isometric view, with friendly ghosts peeking out of brightly colored windows, a witch’s broom leaning by the door, and the house itself painted in warm, inviting shades of purple and orange. The scene is filled with vibrant details like glowing jack-o'-lanterns on the porch, colorful autumn leaves scattered on the ground, and a cheerful, whimsical atmosphere, designed to look hand-drawn with no AI-generated feel

vintage watercolour painting, autumn season. lighthouse, wooden boardwalk dull colouring with some greenery and blue ocean. view is upclose. with two white halloween ghosts on wooden boardwalk --ar 16:9

Scenography FRONT VIEW Giant Pac-Man chasing and eating ghosts of all colors, drawing, sketch

surreal intricate artwork of The door to hell is closed, a surreal and horrifying vision, lots of details, chinese ambient, Many fierce ghosts are rushing to get in --v 6.0 --style raw

vintage oil painting, old library with big tall book cases on both sides, a big beautiful window in the background, a large table with cute white halloween ghosts reading. an armchair by a lamp with a ghost sitting and reading. dull colouring --ar 16:9

close-up, male filipino pinoy priest exorcising an evil spirit, holding a smoldering censer, inspired by kj apa tom daley adam rippon, colored inks style, style of luis royo, leonid afremov, mike zeck, edgard maxence, herb ritts --niji 5

Film still from Blade Runner. skyscape. High Diffusion, Parallax effect, chromatic abberation It has to be of the highest artistic quality, It has to be the ultimate. Skyscrapers appear like ghosts within the fog, illuminated in outlines by background lighting. --ar 32:9 --v 6.1

surreal intricate artwork of The door to hell is closed, a surreal and horrifying vision, lots of details, chinese ambient, Many fierce ghosts are rushing to get in --v 6.0 --style raw --s 750

A ultra high-resolution, 3D photorealistic scene shot on film for a theatrical motion picture showing the drilling of the Bore at Collam Daan. In the foreground, a sleek, futuristic facility made of glowing crystal and polished metal, with intricate machinery piercing a tear in reality--The Bore. Dark, swirling energy spills out, corrupting the air with shadowy tendrils. In the background, an advanced city of the Age of Legends, with towering spires, floating vehicles, and pristine buildings, is crumbling as waves of chaotic energy ripple through. Dark clouds gather, cracks form in the sky, and people flee in terror, their elegant clothing and hovercraft in contrast to the encroaching evil. The scene balances beauty and catastrophe as the Dark One’s prison begins to break, unleashing destruction on a once-perfect world v 6.1 ar 16:9 --q 2 --s 750

in an abandoned ballroom, there is a long clothesline stretching across. a witch is casting a spell, many ghosts are hanging on the clothesline. magic is in the air --ar 3:4 --p wp561mn --v 6.0

every creative impule unleashed whether good or evil, unleashed in abstraction and surrealism, deep electric purple background --ar 16:9 --v 6.0

two cute white ghosts flying on a broom in witch hats in an autumn forest. The ghosts are sitting on one broom one after another. The whole scene is created in oil painting on canvas. It has a vintage dark academic style --ar 4:3