Realistic portrayal of sleeping elderly woman

[0801b32d0] An elderly Chinese person, wearing a stethoscope and glasses, dressed in a white coat, is seated at a table with hands placed in front. The individual could be a doctor or scientist, and the background appears to be a laboratory. --v 5.2 --ar 3:4 --c 0

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A rabbit is curled up and sleeping among the trees near the top of a high mountain. Surrounding it are dense clusters of deep green shrubs, and in the distance, a majestic mountain range stretches beneath a crystal-clear blue sky, vividly contrasting with the natural landscape. The sunlight filters through the clear air, sparkling as it reflects off the grass and leaves, casting a warm glow on the rabbit's soft fur. As the breeze stirs, the trees sway realistically, and the subtle sounds of nature can be faintly heard. The scene is dreamlike, yet it captures the real beauty and vividness of nature, inspired by Makoto Shinkai's style, with intricate details, vibrant and lifelike colors, and the grandeur and tranquility of the mountain summit. --ar 9:16 --v 6.1

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An illustration of a woman meditating, surrounded by luminous sound vibrations flowing around her. She is seated in a lotus position, eyes closed, in a sacred space bathed in soft, natural light, with medicinal plants by her side. Vibrational instruments such as Tibetan bowls and a drum are placed near her, symbolizing healing through sound. The image evokes a sense of transformation, serenity, and renewal, capturing the idea of a journey of spiritual and physical healing.

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The portrait captures only the face of the elderly woman, rendered in close detail as she watches the flickering screen before her. Her deeply lined features are softly illuminated by the greenish glow of the monitor--Fern-Green--which bathes her face in a muted, ethereal light. Her eyes, faded hazel, are the focal point of the portrait. They reflect the screen’s green tint, giving them an almost ghostly quality, as if the light itself is pulling forth the memories she has stored within. The deep-set eyes are filled with quiet contemplation, the irises blending subtly with the green hue, creating a sense of connection between her inner thoughts and the images on the screen. The wrinkles and creases that mark her face are rendered with care, each line emphasized to tell the story of her life’s experiences. The artist captures the sag of her skin, the slight droop at the corners of her eyes and mouth, suggesting both the passage of time and the weight of the memories she carries. The green light smooths some of these lines, softening the harshness of age, but also adding a sense of depth and texture to her skin. Her silver hair, thin and pulled back, frames her face but is mostly kept in shadow, allowing the focus to remain on her expression. The light from the screen catches a few strands, giving them a faint shimmer that contrasts with the otherwise subdued palette of the portrait. Her lips, thin and slightly pursed, are barely touched by the green light, suggesting a silence that holds many unspoken words. There’s a slight tension in her jaw, barely perceptible, but it adds to the overall sense of introspection that the portrait conveys. The background remains dark and undefined, ensuring that nothing distracts from the woman’s face and the interaction with the [...]

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A hyper-realistic medium shot photograph of soccer star Mallory Swanson sleeping in her bed. She is a hispanic woman in her early 20s with straight black hair. She is lying on her back, facing the ceiling, with her eyes gently closed and her face relaxed. The room is illuminated by soft moonlight, which highlights the smooth contours of her face and the details of her bed. The photograph has a hyper-realistic style and was taken with a Sony Alpha 7 III camera. --v 6.1 --ar 16:9

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ancient greek women sleeping in her bed, ancient greek bedroom, daytime, 1st century bc. Cinematic capture on a Sony A7R IV with a 55mm f/1.8 lens, set at f/2.4, ISO 100, 1/160s, emphasizing the soft morning glow and the intricate details of the room, --ar 9:16 --s 200