Edvard Munch Sketching at Seaside

halloween the scream edvard munch , style halloween very good quality round with transparent background

A cinematic GC photo of Guanyin riding a dragon-head lion on the sea, representing the bodhisattva of compassion in Chinese Buddhism. The image could depict Guanyin as a powerful and radiant figure, riding a fierce dragon-head lion through the tumultuous waves of the sea, symbolizing her ability to overcome obstacles and bring peace to those who suffer. The overall atmosphere should convey a sense of bravery, and the potential for achieving liberation from suffering through the guidance of Guanyin, reflecting the essence of this beloved figure in Buddhist tradition.--v 6.0 --style raw --ar 9:16

A dramatic, abstract representation of "The Scream" in the process of creation, with Munch channeling his existential dread and societal critique into the canvas, set against a backdrop of a swirling, chaotic sky.

aslan in the style of edvard munch

magic lake, close-up of water, by Leonora Carrington::1.5, Mikalojus Ciurlionis::1.4, Edvard Munch, Pieter Bruegel the Elder ::1.6 , color pencil, pastel --chaos 10 --v 5a --ar 4:5

luxury uniqe dining table design inspired by ocens

Raymond Pettibon's art is known for its stark black ink drawings often intertwined with text providing a narrative or commentary. This imagined artwork adopts his signature style while delving into the complex and ongoing Arab-Israeli conflict. Picture a large canvas, approximately 6 feet in height and 4 feet in width. The dominant feature is a colossal wave, drawn in Pettibon's typical wavy line style, its crest threatening to crash down. This wave is not just a physical entity, but a metaphorical representation of the tumultuous Arab-Israeli relations. The wave is illustrated with a fluid yet erratic line, embodying the unpredictable nature of the political tension. The crest of the wave morphs into the shapes of distorted faces representing the leaders and common people from both sides of the conflict, their expressions displaying a mix of fear, anger, and sorrow. Now, visualize the background, which is divided into two contrasting halves. The left side represents Israel, with iconography like the Star of David, a kippah, and images of historical figures like Golda Meir and Yitzhak Rabin. The right side represents the Arab nations with symbols like the crescent moon and star, a keffiyeh, and images of historical figures like Yasser Arafat and King Hussein of Jordan. The division in the background accentuates the dichotomy between the two factions while the menacing wave symbolizes the overhanging threat of conflict that affects both sides. In the foreground, beneath the wave, lies a barren land, void of life. This could symbolize the loss and devastation that has occurred over the decades due to the ongoing conflict. In the bottom right corner, in Pettibon’s characteristic textual annotation, the phrase, “The ceaseless tide of aspirations and despair,” is [...]

burning surfboards on a beach. Stormy sea. --ar 16:9 --s 250

surreal, a calm wavy ocean, a transparent and translucent figure that can be seen through the waves like a stain, vivid pastel turquoise green shade colors, --ar 2:3