Dirty minor gasping for air in mine

a strip-mine open mine by Hiroshige in the style of ukiyo-e woodblock --ar 9:13

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a strip mine surface-mine by Hiroshige in the style of ukiyo-e woodblock --ar 9:13

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create an early 19th century photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. There is a canyon mine on the right side in the midground. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a river that follows into the distance further. The midground appears closer to your viewing and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see a deep cavern entrance that the railroad follows into. It appears there is someone down in the cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushes that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting next to a campfire. This fire is only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50

The scene depicts a canyon side with a large valley in the background that can be seen on the left side of the frame There is a river that flows further back into the distance and . Mountains and canyons are visible in the darkness in the background. The sun is just starting to right and the orange and pink hues are just beginning. In the mid ground a railroad track follows horizontal from left to right leading up to the canyon mine with wood surrounding the entrance. There is a glow from a lamp light coming from inside the mine. The light trails to the outside of the mine and highlights an old rail transport. The surrounding area is partially in darkness and there are plants and cactus partially visible. The view is coming from a first person in the foreground. A medium size fire lays just at the base of a large cactus. There appears to be rocks surrounding it with a fire glowing the small rim of the foreground. --ar 16:9 --style raw --s 50

A real photo of a sleek, modern bathroom with a small, subtle water leak coming from the bottom of the toilet tank. The damage isn’t severe but creates a small puddle on the tiled floor, contrasting with the polished, minimalistic look of the spacious bathroom.

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"Seamless pixel art texture of 19th-century old bricks, rugged and weathered, arranged unevenly. Dark reddish-brown tones with blackened edges, showing signs of soot, dirt, and wear. Cracks and chipped corners give the bricks an aged, industrial feel. The design reflects the rough, heavy use typical of a coal mine entrance. Subtle dithering creates a retro, lowpoly PlayStation 1 aesthetic, suitable for a 3D platformer. Low resolution, 128x128 pixels."

create a dreamy like background thats inspired by the peace clamful sky and in the forground in bubble text write the caption "My Love Mine All Mine"

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Create a striking visual portrait of an emissary from Asia Minor during the time of Julius Caesar. This emissary, a man of around 50 years, possesses a formidable and disconcerting presence. Visualize a figure with a robust, portly build that dominates the frame, showcasing the physical effects of age and experience. Dress him in clothing that reflects the style of the era, adorned with intricate details that signify his status as an emissary. Pay special attention to his facial features, particularly his eyes, which should exude an unsettling aura born from a lifetime of diplomacy and intrigue. In the background, incorporate elements that evoke the ambiance of ancient Asia Minor, from architectural motifs to cultural artifacts. The lighting should be subdued yet focused, casting eerie shadows that accentuate the emissary's intimidating demeanor. This portrait should vividly capture the essence of the emissary as a man of mature years, exuding both physical presence and an aura of disquiet, reflecting the intrigue and tension of the era of Julius Caesar. --v 5.2

create an early 19th century photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. There is a canyon mine on the right side in the midground. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a river that follows into the distance further. The midground appears closer to your viewing and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see a deep maingly wooden cavern entrance that the railroad follows into. A mining rail is seen just at the entrance of the maingly wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50

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Medieval mine entrance in the mountains, unlit, leads into the dark

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