Cycle of Mesopotamian Civilization Over Time

According to Mesopotamian cosmogony, the ancient inscriptions want a reproduction as close as possible to the findings of how the representation of the god Apsu was in ancient Mesopotamia.

A haunting vision of the ancient Mesopotamian underworld from the Epic of Gilgamesh, depicted in an old black and white etching style. A shadowy 'House of Dust' with bound souls, shackled and weary, sitting in dark, desolate surroundings. The figures are thin and ghostly, with hollow eyes, as they are fed rocks and clay in an atmosphere of despair. Dark, jagged architecture, with crumbling walls and dust-laden air, adds a haunting sense of ancient decay. The scene is intricate, with detailed etching-like lines and shadowy tones, evoking the eerie and oppressive ambiance of a forsaken realm. --ar 16:9

crow written in cuneiform on a stone tablet --s 750

A minimalist medical illustration showing an early stage of hair thinning. On the left, slightly weakened hair strands, subtly thinning, and on the right, stronger, fuller hair strands after treatment. Arrows visually indicate the transition between the stages. No text, only clean visual elements, white background, simple and professional, vector style --no text --v 6.0

Illustrate the highland regions adjacent to the Mesopotamian plain where human civilization is believed to have originated. Content: Highland landscape, Mesopotamian plain. Medium: Digital art. Style: Historical and geographical accuracy. Lighting: Natural sunlight over the landscape. Colors: Realistic portrayal of the terrain. Composition: A detailed landscape showing the origin of civilization. --ar 16:9 --v 5.1 --style raw --s 750

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background --ar 2:3

In the eerie stillness of an abandoned city, the once-lustrous crystalline spires stand as haunting silhouettes, partially submerged in water. The bioluminescent glow that once painted the structures with vibrant colors has dulled, now casting a feeble, ghostly radiance. Bridges, worn and weathered, dangle precariously, their once-taut strands now sagging into the water. Hovering transportation platforms, now silent and motionless, drift listlessly along their deserted routes. The transparent tubes, once bustling with swift travel, echo with the occasional creak as they sway in the waterlogged breeze. The suspended gardens, now tangled masses of aquatic vegetation, float aimlessly, their bioluminescent blooms replaced by the soft luminescence of submerged life. As water ripples through the abandoned thoroughfares, fish navigate the submerged streets, weaving through the skeletal remains of a once-thriving metropolis. The alien geometry of the structures, now encrusted with algae and barnacles, creates an unsettling fusion of the familiar and the extraterrestrial. The submerged city, now a silent and surreal underwater relic, tells the tale of a civilization that once sought to defy both earthly and alien boundaries but succumbed to the inexorable passage of time.

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background. She is a mighty warrior ar2:3

Cain from the Bible with shadows over his eyes, in the style of animated mosaics, dark yellow and violet, photorealistic detail, mesopotamian art, lithograph, massurrealism

Using HD Hyperealistic Pixar style show a debt super cycle gathering size over a calm sea..

Using HD Hyperealistic Pixar style show a financialdebt super cycle with financial instruments and dollars swirling over a barren landscape

continous cycle of hatred minimal inspirational poster