Count Dooku Close-up

two people at war fighting each other punches flying, high contrast backlit desaturated extreme close-up on face and body 400mm photorealistic hyper realistic --ar 4:5 --s 750 --style raw

Ultra-realistic photo taken with a Sony α7 III camera equipped with an 85mm F 1.2 lens, Realistic close-up of a young Korean woman's face, capturing only part of her face, highlighted by soft lighting that highlights the contours of her face in a blurred background is a historic Korean building with a garden --ar 7:2

close up of a black beekeeper, Cinematic lighting, Unreal Engine 5, Cinematic, Color Grading, Editorial Photography, Photography, Photoshoot, Shot on 70mm lense, Depth of Field, DOF, Tilt Blur, Shutter Speed 1/1000, F/22, White Balance, 32k, Super-Resolution, Megapixel, ProPhoto RGB, VR, tall, epic, artgerm, alex ross, Halfrear Lighting, Backlight, Nat --v 6.0 --ar 16:9 --style raw --s 50

close up of buddha statue meditating spirit etheral psychadelic cameron gray style

Close-up of a clear, glowing complexion with no blemishes or imperfections. The skin looks healthy and radiant under soft, natural lighting to emphasize its clarity., cinematic background and lighting, realistic, --ar 9:16 --relax

Close Up of Ancient Normadic Tribe in German Woods during late Paleolithic Era high on psychedelic drugs, cinematic, photorealisitc, vivid colours, dreamlike, spiritual, film grain, --ar 16:9

dvd screengrab, from 1982 dark fantasy film, "excalibur" Count Dooku from starwars --ar 2:3

vhs screengrab, from 1982 dark fantasy film “excalibur”, count dooku with red lightsaber ignited— ar 3:2

lighting led , distpic feelling, horror, lighting art installation ::7 eyes wide open ::1 12 art lighting installation by olafur elliason ::6 damaged oxidized flaking mirror surface ::10 water reflection ::6 closeup vanity makeup mirror magnifier ::8 f/11 photograph ultimate vivid reality --style gDrl28Q9jpecw --chaos 20 --ar 16:9 --stylize 1000 --v 5.2

a close up photo realistic black and white mage of Jennifer Connolly’s face looking directly at the camera, straight not angled, the lighting is warm and dark and lighting mostly the left side of her face, high resolution 6.1 --v 6.0 --style raw