Two confident female cops in upscale subdivision.
Prompt
Two overight confident and arrogant female cops, standing and talking next to their police Ford Explorer in the center of a spacious, upscale, futuristic subdivision. Medium: Rendered in an oil painting style, evoking the texture, depth, and emotional resonance of Edward Hopper's art. Style: Ultra-detailed, emphasizing the confident and arrogant poses, the SUV, and the intricate details of the upscale, futuristic subdivision, all while capturing the loneliness and contemplation often seen in Hopper's work. Lighting: Overhead midday sun, creating stark contrasts and deep shadows on them, the SUV, and the luxurious architecture of the subdivision, reminiscent of Hopper's dramatic lighting. Colors: A palette dominated by cobalt blue for the uniforms, and a mix of subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if captured with a Nikon D850, using a 28mm f/1.4 lens, with a wide depth of field to capture both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750
License
Free to use with a link to 2moonsai.com
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Two overweight female police officers, exuding confidence and arrogance, engaged in conversation while standing next to a police SUV in the center of a very upscale, futuristic subdivision. Medium: Rendered in an oil painting style, capturing the atmospheric solitude and emotional depth characteristic of Edward Hopper's works. Style: Hyper-realistic with a focus on intricate details, such as the fabric of the uniforms, the SUV, and the high-end, futuristic architecture of the subdivision, all imbued with Hopper's sense of isolation and introspection. Lighting: Late afternoon lighting casting long shadows and illuminating their confident facial expressions, the SUV, and the upscale subdivision, evoking Hopper's dramatic use of light and shadow. Colors: Muted blues for the uniforms, metallic grays for the SUV, and subdued, luxurious colors for the upscale subdivision. Composition: Imagined as if shot with a Canon EOS 5D Mark IV DSLR camera, EF 24mm f/1.4L II USM lens, with a wide depth of field to include both the officers and the expansive upscale subdivision. --ar 16:9 --v 5.1 --style raw --s 750
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