Difficult Women, Conceptual, Documentary Photography

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A semelhança dilacerante de Bataille transgride as formas por uma certa semelhança ao dessemelhante, algo que se aproxima em muito do procedimento antropolĂ³gico de tornar familiar o outro, tornando o mesmo estranho, o que num processo acaba por rasgar as antigas formas do mesmo e do outro, gerando algo novo. Ou seja, pelo toque entre a forma idealizada (naturalizada, uma espĂ©cie de imanĂªncia auto-atribuĂ­da que permanece como transcendental e inalcanĂ§Ă¡vel, se pensarmos que nem o mesmo se assemelha Ă  Figura humana que de si idealiza) por excelĂªncia, o antropomorfismo da condiĂ§Ă£o humana, visualmente a figura humana, e a matĂ©ria que se apresenta violentamente como recusa e exceĂ§Ă£o Ă  sua regra, a forma Ă© transgredida. A semelhança informe seria essa semelhança desclassificatĂ³ria, uma semelhança que dilacera as formas pelo contato excessivo entre imagens, no caso, heterogĂªneas.

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