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A quaint, colonial-era village nestled amid rolling hills and autumn foliaget :: style of impressionist painting :: style of edward hopper --ar 2:3 --upbeta --v 4
a design of a man boiling a witch in a large cauldron. The man's arm has a Betsy Ross American flag on one arm. The man has a buck on his pilgrim hat. The man is holding a musket in his impressively muscled arms. --s 500
17th century british caribbean governor, portrait, sad hopeless anguished look, portrait, flat colors, ink drawing, 80s style, low resolution, strong shadows, rough lines, high contrast, black palette, low saturation, vintage colors, retro, flat shading, flat coloring, simple, flat vector art
A majestic Latino Flashlight epic cinematic scene image with Vintage appliances, Rebellion, Oldies, a latino art style, and a First-person view --v 6.0 --c 15 --ar 5:7 --s 750
astartes "ASTARTES" Astartes, Urban Style Grafitti Text on white Background, stylized Image of Space Marines from Warhammer 40k, minimalistic, neon colors, grungy style, urban warfare
kaya scodelario terror movie tombs, realisthic, cinematic.
Sci-fi narrative: In a battle reminiscent of Starship Troopers, multiple massive monsters with gaping toothed maws, stubby snake-like bodies, and large fin-like appendages, about the size of Kodiak bears, engage in combat against space marines. These monstrous creatures, resembling giant land-crawling fish, ambush the marines, leaping several times their body length to overpower them. The space marines, armed with advanced weaponry, fight back in a dark, apocalyptic environment filled with debris and shadows. Explosions light up the scene as the marines hold their ground, dodging the razor-sharp teeth and thrashing of the monsters’ fin-like appendages. The scale difference between the marines and the bear-sized monsters adds to the intensity of the battle, as the marines fight for survival in a gritty, action-packed scene filled with chaos and destruction --ar 16:9
a photo of a professional and confident pest control technician using a round flashlight to inspect the exterior of a residential home. He's wearing a red polo shirt and blue Carhartt pants. The home features red brick and white trim with green plants in the background. vibrant colors, daytime lighting, Canon EOS R5 camera, macro lens, f/20, ISO 480, shallow depth of field, natural light, high resolution --ar 128:85
gothic look spaceship crash in the frozen mountains, pale blue space marines in foreground, t shirt design, --ar 2:3
abandoned indoor amusement park, scary, night, neon lights --s 750 --v 6.0 --style raw
drawing of jacal in colonial san antonio 1790, humble dwelling, single story, mission indian outside, kids running
a house in Central, Hong Kong, combining both eastern asian and western european aesthetic elements, colonial style architecture with asian wood structures such as japanese, details like bamboo plants and concrete decorations, lots of details, --ar 4:3 --v 6.0
historical photo of US marines in Tarawa, stumbling across an overgrown flying saucer crashed in the jungle --v 6.0 --style raw --s 50
live action hd photo luigis mansion luigi with flash light dark mansion corridor --s 750 --v 5.0
The real dragon version of the space Marine Corps exterminates the dragon population--style raw --ar 9:16 --v 5.2
Black kid dressed in royalty clothes posing with smile, full body, in new york colonial era
The image depicts a realistic representation of a flashlight positioned on a wooden floor. The light emitted from the flashlight illuminates the doorway behind which is a dark room. The composition evokes a sense of mysticism and foreboding, creating an ambience that is simultaneously intriguing and unsettling. High quality --ar 16:9
a squad of marines being pursued by xenomorphs through an abandoned space station venting gas into space. --v 6.0
A heart-wrenching scene of Lakshmi Bai receiving the news of her husband's death, standing before a British officer who coldly informs her that her adopted son will not be recognized as the heir, set in a dimly lit palace hall. hyperrealistic, cinematic, 8k
pencil drawing of jacal in colonial san antonio 1790, humble dwelling, single story, mission indians and friar outside,
oil painting of high tech flashlight, white background, whimsical, high definition, Surrealism, engineering, graph paper, PCB circuit board, hyper-detailed, hyper-realistic --ar 16:9 --v 5.2 --s 750
us marines, combat, explosions, assaulting a massive fortress --s 200 --ar 2:1
Eminem and The Rock side by side dressed as Space Marines from warhammer
Realistic photograph of a handheld flashlight. It is lying on the wooden floor. The light from the flashlight falls on a passage in a dark room. Mystical and frightening atmosphere. High quality --ar 16:9
The girl is shown stalking through a dark forest or alley, her gun in hand. Panels depict the hunt, with close-ups of her determined expression and the prey’s panicked face. The words "I'm going hunting" and "Boom, boom!" are scattered across the panels.
In a dark, abandoned ship cabin, a massive, multi-tentacled monster covered in iridescent scales is engulfed in a violent explosion as a bomb detonates on its body, sending flames in all directions. Three fully armed Marines wielding rifles are firing at the creature with submachine guns. The scene is captured with dark, ominous Rembrandt-style cinematic lighting, as if shot on an ARRI camera, creating a terrifying and intense atmosphere reminiscent of a horror movie --ar 16:9 --q 2 --seed 594234596
Camera positioned just behind a gun of man traversing a dark abandoned messy hospital hallway in the apocalypse, being attacked by demon dogs, cinematic rim lighting, crisp rendering, horror ambiance --v 6.0 --style raw --s 250
a woman with long auburn hair and green jacket sneaking through an old dark dilapidated grocery store + horror + art style of Capullo, Brom, Whelan, aly fell rutkowski, art germ, rossdraws, and franzzeta + art station + ultra detailed + hyper realistic + 8k --ar 3:2 --niji 6
Native Indians, dressed in traditional attire, standing proudly in the ornate corridors of British colonial government offices, their presence a visual representation of the "Indianization", as they take on roles of authority and governance within the colonial administration.
Visualize the Cala Figuera Lighthouse, in Mallorca, which has a white shaft with oblique black bands, the night is black, the figure of the lighthouse is large and stands out against the very dark blue-black background of the sky and the sea, the lighthouse is on and from above, 26 long beams of light come out from its flashlight, ultra photographic realism, ultra high definition
Colonial city scene in Kampala, Uganda on April 28, 1948, during the British protectorate period. The foreground shows local Ugandans and British colonial officials interacting in the city’s administrative areas, with street vendors and bicycles adding to the urban life. In the background, colonial-era buildings and local markets are visible under a partly cloudy sky, symbolizing the early stages of the struggle for independence. The lighting is bright, capturing the everyday life and growing momentum for change in Kampala. --ar 16:9 --v 6.0 --style raw
crazy old man in a russian ushanka hat driving a futuristic cargo truck, front view, mothership boardgame art style
Realistic photograph of a handheld flashlight. It lies on the wooden floor and illuminates a passage into a dark room. Mystical and frightening atmosphere. High quality --ar 16:9
Soldier of the colonial marines in the universe of the Alien license films:: composition for movies , widescreen , in the style of ridley scott epic composition , colorful, Hyper realistic. Fantasy. dramatic.dystopian:: Low Angle Shot,Full Length Shot, shot from right,Photo through a Zenit Helios-40-2 f/1.5 lens of a Hasselblad camera --ar 9:16 --v 6.0 --c 10
a letter from 25 years ago, that has come from the jungles of mexico. From a horror movie, the letter lies on a colonial desk, photorealistic
Ghibli Style, Young woman working on a small flashlight gadget by candlelight, steam punk, --ar 4:7
Desert scene near Fezzan, Libya on February 10, 1920, during the Italian colonial period. The foreground shows a small group of Italian soldiers setting up a makeshift camp in the desert, with camels and tribal fighters watching from a distance. In the background, endless dunes stretch under a hot sun, with a solitary palm tree offering sparse shade. The lighting is harsh and bright, capturing the isolation and tension of this remote region amid colonial administration and resistance. --ar 16:9 --v 6.0 --style raw
colonial open window, inside solid black color in frontal plane --ar 9:16
Sci-fi narrative: In a battle reminiscent of Starship Troopers, multiple massive monsters with gaping toothed maws, stubby snake-like bodies, and large fin-like appendages, similar in size to standard shipping containers, engage in combat against space marines. The monstrous creatures, resembling giant land-crawling fish, ambush the marines, leaping several times their body length to overpower them. The space marines, armed with advanced weaponry, fight back in a dark, apocalyptic environment filled with debris and shadows. Explosions light up the scene as the marines hold their ground against the onslaught, dodging the razor-sharp teeth and the thrashing of the monsters’ fin-like appendages. The scale difference between the marines and the massive container-sized monsters adds to the intensity of the battle, as the marines fight for survival in a gritty, action-packed scene filled with chaos and destruction --ar 16:9
4 Colonial Marines in 2179. They fire into a poorly lit passageway in a spaceship.:: In the style a movie directed by James Cameron in 1986. Hyper realistic image, Dark, Green tint, volumetric lighting:: Low angle shot, Full length shot, right shot, Photo through a Zenit Helios-40-2 f/1.5 d lens 'a Hasselblad camera --ar 5:8 --v 6.0 --c 10
IMAGE RATIO: 16:9 | STYLE: British Colonial | GENRE: Caribbean outdoor restaurant | EMOTION: Warm and Welcoming | SCENE: a warm and inviting restaurant, overlooking the sea in Turks in Caicos | TAGS: Contemporary, textured, bright, organized, holly hunt, rattan, white, turquoise, pendants | CAMERA: Fujifilm GFX 50R | FOCAL LENGTH: 35mm | LIGHTING: Outdoor Lighting | MATERIALS: dark wood, rattan, metal accents | DECORATION: a few potted plants | ROOM SIZE: Large size | TIME: Mid-day | LOCATION TYPE: Indoor/outdoor | POST-PROCESSING: enhanced brightness and clarity, boosted vibrancy and colors, increased contrast for depth, –-ar 16:9 –-v 5.0
Ghibli Style, Young woman working on a small flashlight gadget by candle light, steam punk
A US Marine if full tactical gear riding a snowboard down a moutain, closeup, cannon R5 --ar 16:9
clip art of eagle soaring and army navy air force and marines saluting eagle. USA flag in the background. Veterans day.
Realistic photograph of a flashlight lying on a rustic floor. The light from the flashlight falls on a passage in a dark room. Mystical and frightening atmosphere. High quality --ar 16:9
view from NYC apartment of an alien mothership hovering above the city, photorealistic, night, dark, very realistic, --v 6.0
In an abandoned, charred ship cabin, a group of fully armed Marines, wielding assault rifles, open fire on a terrifying scene before them. On the ground, a massive, orange-and-yellow striped sea eel, covered in countless eyes, writhes violently as it constricts one of the Marines in its grip. The atmosphere is dark and terrifying, with Rembrandt-style cinematic lighting casting deep shadows. The scene is captured like a still from a horror movie, shot with an ARRI camera, creating an intense and horrifying ambiance --ar 16:9 --q 2 --seed 594234596
a horror gym, very scary creepy, urban exploration, flashlight, night time, 8k --ar 9:16
hyper realistic jacal in colonial san antonio 1790, humble dwelling, single story, mission indians outside,
Historic city scene in Santo Domingo on October 14, 1862, during the Spanish re-annexation period. The foreground shows local residents and Spanish soldiers patrolling cobblestone streets, with colonial architecture and Spanish flags visible. In the background, signs of tension and resistance are reflected in graffiti and small gatherings. The lighting is warm, with a late afternoon sun casting long shadows, capturing the unease and looming rebellion in the city. --ar 16:9 --v 6.0 --style raw
Letters Chaos, Text "Chaos", CHAOS, Urban Style Grafitti Text on white Background, stylized Image of Chaos Space Marines from Warhammer 40k, minimalistic, neon colors, grungy style, urban warfare
hotel staff is looking for a small object under the couch in a new 2023 modern pan pacific hotel, 35mm lens, --ar 16:9
colonial explorer's sketches, mythical creature, zulu, papua new guinea, ethnobotany, anatomy diagrams, simple, primitive line drawing with black ink on white background, naïve art, sketches, style of Dusty Boynton, Oluf Braren, Justus DaLee, Edward Hicks, Joshua Johnson, James Bard, Ferdinand Cheval, Denys Corbet, Olof Krans, Cándido López, Niko Pirosmani, Peter Rindisbacher, Henri Rousseau, 20th centur, Gesner Abelard, Ellinor Aiki, Andreas Alariesto, Alyona Azernaya, Jan Bacur, Jan Balet, Nina Barka, Ilija Bašičević, André Bauchant, Kateryna Bilokur, Janko Brašić, Camille Bombois, Frédéric Bruly, Eugen Buktenica, Sam Byrne, Charles Callins, Zuzana Chalupová, Paulina Constancia, Henry Darger, Michel Delacroix, Préfète Duffaut, Emerik Feješ, Howard Finster, Robert-Émile, Lucy Fradkin, George Fredericks, José Rodríguez, Dragan Gaži, Ivan Generalić, Josip Generalić, Mokarrameh Ghanbari, Petronėlė Gerlikienė, Petar Grgec, Theora Hamblett, James Hampton, Krsto Hegedušić, Jan Husarik, Eremenko Irina, Mary Jewels, Daniel Johnston, Drago Jurak, Bob Justin, Ferenc Kalmar, John Kane, Alena Kish, Mijo Kovačić, Arnold Kramer, Siegfried L, Ivan Lacković, Pavel Leonov, Maud Lewis, Antonio Ligabue, Séraphine Louis, Claudine Loquen, Manuel Lepe, Radia Bent, Ferreira Louis, Katya Medvedeva, Martin Mehkek, Manuel Mendive, Dobrosav Milojevic, Ethel Wright, Grandma Moses, Franjo Mraz, Navitrolla, Radi Nedelchev, Norman Neasom, Nikifor, Mary Nohl, Teofil Ociepka, Stan Ioan, Bryan Pearce, Mario Perez, Raphael Perez, Dominique-Paul, Nan Phelps, Horace Pippin, Maria Prymachenko, Alevtina Pyzhova, Ivan Rabuzin, Polina Raiko, Bárbaro Rivas, Markey Robinson, Konstantin Rodko, Vasily Romanenkov, Heinz Seelig, Oles Semernya, Jon Serl, Jean Pierre, Yeshayahu --chaos 20
Sci-fi narrative: In a battle reminiscent of Starship Troopers, multiple massive monsters with gaping toothed maws, stubby snake-like bodies, and large fin-like appendages, similar in size to standard shipping containers, engage in combat against space marines. The monstrous creatures, resembling giant land-crawling fish, ambush the marines, leaping several times their body length to overpower them. The space marines, armed with advanced weaponry, fight back in a dark, apocalyptic environment filled with debris and shadows. Explosions light up the scene as the marines hold their ground against the onslaught, dodging the razor-sharp teeth and the thrashing of the monsters’ fin-like appendages. The scale difference between the marines and the massive container-sized monsters adds to the intensity of the battle, as the marines fight for survival in a gritty, action-packed scene filled with chaos and destruction --ar 16:9 --stylize 300
take a gumoss from the game palworld and put it where a space marines head should be
In the abandoned ship's cabin, a group of fully armed Marines opens fire with submachine guns. Ahead of them is a monstrous creature, a fusion of a car engine and a giant worm, spewing black smoke. Sparks fly as bullets strike the creature. The atmosphere is dark and ominous, captured with Rembrandt-style cinematic lighting, as if shot on an ARRI camera, creating an intense horror movie vibe --ar 16:9 --q 2 --s 250 --seed 594234596
Slot machine in a festive atmosphere with white, blue and red pennants, it must be a rural atmosphere, there must be a Chilean colonial house in the background, caricature style realist --style raw
enter the mothership, psychedelic techno alien space station , purple green dark color tone , epic, abstract, with a big space rift
Soldier of the colonial marines in the universe of the Alien license films:: in the style of ridley scott composition for movies, Hyper realistic. Dramatic dystopian:: Low Angle Shot,Full Length Shot, shot from right,Photo through a Zenit Helios-40-2 f/1.5 lens of a Hasselblad camera --ar 5:8 --v 6.0 --c 10
a British officer on an elephant on a hunting expedition photo realistic
a cocktail bar in a colonial house, in Borneo, with very modern wood elements
Photo full length shot:: 4 Colonial Marines in a dynamic posture and combat pose. They shoot into a poorly lit passageway of a spaceship.:: Stressful atmosphere.:: In the style a movie directed by James Cameron in 1986. Hyper realistic image, Dark, Green tint, volumetric lighting:: Photo through a Zenit Helios-40-2 f/1.5 d lens 'a Hasselblad camera --ar 5:8 --v 6.0 --c 10
hotel staff is doing a search for a small object in a new 2023 modern pan pacific hotel, 35mm lens, --ar 16:9
photo of jacal in colonial san antonio 1790, humble dwelling, single story, mission indians outside,
shining rainbow beams of light from flashlights into the darkness, in a dark, muted, postapocalyptic cyberpunk wasteland. Large format film photography, dramatic lighting, depth of field, grainy, --ar 3:4
U.S. Marines guarding the White House --v 6.0 --style raw --s 50
A colonial man with long brown hair, a mediocre beard and mustache riding a brown horse walks through the dark, bluish forest, it is night, he wears a white shirt, a brown jacket, hyper realistic, low View - - v3 - - s 60000, ar 16:9 --q 2 --s 750
Cartoon personality, [back of a little creole girl, crawls in to cracks of a door, night time, inside 1990s style home] hyper real - - ar 16:9
illustrating the value of famous brands in form of a minimalistic drawing, modern art and abstract elements, minimalistic style, red black colors, flashlight effect --s 750
Realistic photograph of a handheld flashlight. It is lying on the wooden floor. This flashlight illuminates a passage into a dark room. Mystical and frightening atmosphere. High quality --ar 16:9
jacal in colonial san antonio 1790, humble dwelling, single story, mission indians outside, loin cloths,
The ancient warehouse area, covered in thick dust, with a lot of ecommerce boxes and peeling walls, creates the feeling of witnessing strange stories from the past. --ar 9:16 --v 6.1
black and white photo of jacal in colonial san antonio 1750, humble dwelling, single story, mission indian children outside,
Visualize a beautiful drawing of the Cala Figuera Lighthouse, in Mallorca, which has a white shaft with diagonal black bands, the night is black, the figure of the lighthouse is large and stands out against the very dark blue-black background of the sky and the sea, the lighthouse is on and from above, 26 long beams of light come out from its flashlight, ultra high definition
a colonial panda riding a horse in a Field. the year 1777. Daylight. Colonial uniform. Wide shot. Hyper realistic. --s 750 --style raw
screen print poster of a scene in 1770 colonial New England featuring pumpkin vines growing in an old graveyard, Raven on a gravestone --ar 2:3 --niji 6
5-story house with a colonial and modern minimalist style with Inca-style stone and wood materials, with wooden balconies, stairs on the facade with wooden details
street life in 1530 in Malaca in medieval Malaysia port in Asia, cinematic shot, realistic, --ar 16:9 --s 50 --v 6.0 --style raw
On the charred deck of a 100-foot ship, burned to a crisp, stands a massive, terrifying black tree. The tree's trunk is covered in golden vines, and its branches bear enormous red fruits resembling human hearts. A group of fully armed Marines, wielding rifles, stands nearby. The atmosphere is dark and ominous, captured with Rembrandt-style cinematic lighting, as if shot on an ARRI camera, creating an intense horror movie vibe --ar 16:9 --s 250 --q 2 --seed 594234596
On the charred deck of a 100-foot ship, burned to a crisp, stands a massive, terrifying black tree. The tree's trunk is covered in golden vines, and its branches bear enormous red fruits resembling human hearts. A group of fully armed Marines, wielding rifles, stands nearby. The atmosphere is dark and ominous, captured with Rembrandt-style cinematic lighting, as if shot on an ARRI camera, creating an intense horror movie vibe --ar 9:16 --s 250 --q 2 --seed 594234596
Blend a 1940s french woman wearing a dress and hat and a wary expression with a scene from Madagascar during the 1940s showing a colonial house with a military vehicle standing outside --v 6.1
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