School children in classroom, facing camera

"A highly detailed tattoo design featuring an anatomical heart that gradually transitions into the form of a brain at the bottom. The heart's aorta and veins transform into artistic tools: a brush, a pencil, and ink drops flowing naturally from the arteries. The overall style is intricate and symbolic, blending elements of realism and surrealism with fine linework and shading. The heart and brain represent the connection between emotion and creativity, with the tools symbolizing artistic expression."

STYLE: photography, | GENRE:1885’s | EMOTION AND COLORS: curious and expressive | SCENE: a classroom from the year 1885. The scene should show a group of school children seated on their chairs, with their desks arranged in rows facing forward. The camera should be positioned at the back of the classroom, capturing the children from behind. children should be shown turning their heads to look back at the camera. They should have curious and expressive faces, acknowledging the camera's presence. | TAGS: cinematic framing | CAMERA: RED Dragon Camera 8k | FOCAL LENGTH: | SHOT TYPE: Wide-angle shot, | COMPOSITION:camera should be positioned at the back of the classroom| LOCATION TYPE: classroom | ASPECT RATIO: --ar 1:1

A full-body photo of an extremely large man made entirely out of meat, covered in baby heads, walking through the slums of Rio. --ar 2:3 --quality 2 --v 6.1 --no people

STYLE: photography, | GENRE:1885’s | EMOTION AND COLORS: curious and expressive | SCENE: a classroom from the year 1885. a group of school children seated on their chairs, with their desks arranged in rows facing forward.capturing the children from behind. children should be shown turning their heads to look back at the camera. | TAGS: cinematic framing | CAMERA: RED Dragon Camera 8k | FOCAL LENGTH: | SHOT TYPE: Wide-angle shot, | COMPOSITION:camera should be positioned at the back of the classroom| LOCATION TYPE: classroom | ASPECT RATIO: --ar 1:1

A tattoo-style illustration of a single feather transforming into flames, inspired by the symbolism of the phoenix. The feather begins in soft, delicate detail at the base and gradually transitions into flowing flames towards the tip, symbolizing rebirth, resilience, and transformation. The design combines intricate feather textures with dynamic flame patterns, creating a balanced blend of softness and intensity. The background is minimal to highlight the transition from feather to fire, giving it an empowering, timeless look. --q 2 --s 750

satisfied facial expression, looking into the future from a chaotic and very challenging situation, positive thinking, being able to see the good in the bad, confident attitude, crises are opportunities, atmospheric photography, hopeful tone, press photography, art photography, award-winning for the quality of appearance, eos nifty fifty, blurred, --ar 3:4 --q 2

a blue mini cooper driving through the city

Identity crisis, as proposed by psychologist Erikson. The moment when lifelong values collapse, and the soul awakens to the absolute need to live right. A turning point in life. From here, a challenging path of self-illumination awaits, far from the predefined dark rails of society.

1885’s photography of a classroom capturing the children from behind. The school children turning their heads to look back at the camera,

A full-body photo of an extremely large man made entirely out of meat, covered in baby heads, wearing armor made with raw beef skin, walking through the slums of Rio. --ar 2:3 --quality 2 --v 6.1

3/4 angle. Hand turning a glowing blue button. Next to the button there is a dial and in the dial there are numbers going from 0 to 100 and a red hand points to the number 100. Below the dial there is space to write text . Concept image business. Minimalist. Professional photography, Hyper realistic, hyper detailed. high-resolution photography. photographed by art director. --ar 16:9 --style raw --v 6.1

photorealistic image of A man crouching down looking at an empty flower pot, the man is surrounded by people with their backs turned to him. --ar 16:9 --v 6.0