Isometric bridge with shadow and light
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A man standing with his hand raised at chest level, facing a silhouette of himself standing in the same position on the opposite side. The scene symbolizes the idea 'the ego seeks to divide and separate, while the spirit seeks to unify and heal.' The man and his silhouette are on opposite sides, with a subtle dividing line between them, representing the separation caused by ego. A soft light connects their raised hands, symbolizing the unifying and healing power of the spirit. The atmosphere is contemplative, with contrasting light and shadow to emphasize the duality --ar 4:5 --s 750
london city landscape, bridge road side view, illustration --ar 16:9 --s 250 --v 6.0
on one side of river there is dark, cold, but on the other side there is buterflies, sun, light and bridge between --ar 16:9
bridge New York City to Europe Hyperreal/shadow/sunny/nikon 385/ filter x
A person stands at the edge of a river. On one side of the river is a rocky, barren landscape representing past mistakes. The person is stepping onto a bridge leading to the other side, where the landscape is lush and green, symbolizing a fresh start. Behind them, faint footprints in the dirt show their old path, but they are now looking ahead to the new, vibrant land. --ar 4:5 --s 750
Create an illustration in the style of Edward Gorey, depicting a mysterious puppet-like figure inspired by traditional Southeast Asian shadow puppetry. Use meticulous cross-hatching and fine, intricate linework to capture every detail of the ornate mask and embroidered costume. Ensure the figure has a simple, stylized silhouette with slightly exaggerated proportions. Keep the facial expression emotionless, hinting at a strange detachment or eerie calm. The background should be minimal, emphasizing negative space to convey a sense of emptiness or suspense. Include symbolic elements subtly, such as abstracted swirls, suggesting movement or a hidden narrative. Focus on contrast, using dark shadows and fine lines to evoke texture and depth.
tadao ando's church of light as a house. interior realistic. sacred light and shadow
Picture a sad man trying to touch his own shoulder. Have the man look back at the viewer over his right shoulder. Have long hair and miserable clothing. Make this picture so that we can see the man from the right side, with his back slightly turned towards us. man with his left hand over his right shoulder to his right shoulder blade. Let him try to touch it. Let the left side of the man's face be in shadow and the light shine over his right shoulder. Make the picture in oil painting style. Let the man be anatomically proportionate. Let the man's entire body be visible, down to his kneecaps. Let there be pastel shades of green, blue and yellow in the picture. Let the background be dark. Let there be a burning lamp and an open book on the floor on the left.
A simple and cute illustration of a hamster with bold, clear outlines, showing three different views: front, side, and back. The hamster has round cheeks, small ears, and bright, expressive eyes. Its fur is fluffy with distinct patterns in shades of brown and white. The front view shows the hamster standing upright with a friendly expression, the side view shows the hamster in a playful pose as if sniffing around, and the back view displays its small, round tail and furry back. The colors are vibrant and rich, with strong contrasts to make the features stand out. The overall style is minimalistic and cartoon-like, focusing on clear shapes and lines with a simple, white background. --ar 16:9 --v 6.1
A real person standing on a narrow bridge between two cliffs: Below is a turbulent river (representing pain), but on the other side of the bridge is a field of flowers, symbolizing growth. --v 6.0 --ar 2:3
Create a visual representation of the ego and soul. The ego should be depicted as a dark, fragmented figure, standing tall with a posture of pride and arrogance. Surround the ego with chains, material objects, and other symbols of attachment, showing its desire for control and separation. In contrast, the soul should be a radiant, ethereal figure bathed in soft, healing light. The soul's posture is open, peaceful, and connected to the universe, emitting a calm, harmonious aura. Place both figures facing each other. The space between them should symbolize the clash between light and shadow, or division and unity. The background for the ego is chaotic and rigid, while the soul stands in a serene, flowing, natural landscape, representing harmony and connection. --ar 16:9 --s 750
A man standing with his hand raised at chest level, facing a silhouette of himself standing in the same position on the opposite side. The scene symbolizes the idea 'the ego seeks to divide and separate, while the spirit seeks to unify and heal.' The man and his silhouette are on opposite sides, with a subtle dividing line between them, representing the separation caused by ego. A soft light connects their raised hands, symbolizing the unifying and healing power of the spirit. The atmosphere is contemplative, with contrasting light and shadow to emphasize the duality, Karmazid art --ar 4:5 --s 750
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