Boy and girl in hijab holding hands under collapsed buildings

Photo of, City center, partially robotized Triceratops, silver horns, destroyed buildings --ar 9:16 --v 6.0

frankenstein and bride of frankenstein embracing in the middle of chaotic destruction, in the style of an old poster

watercolor art style, a baby male lizard, he is pulling a slingshot, his tong is out, he has orange skin and a blue tail, he is standing, he is inside Aztec ruin, warm light, --ar 2:3

Executive Order Lara Croft, Minimalist ruin setting --v 5.2

floating bodies in the rapture during the apocalypse, red, black, grey, purple --s 750

A city that was destroyed in the war, a bird's-eye view of a mother holding a child on the ground, the mother and child lying down, the mother and child made of stone and building debris. Be realistic with high quality--s 250 --ar 16:9

8k image of two lovers from behind while holding hands looking at a war scenario during the 80s in a city. The man wears a black coat

High resolution cinematic blockbuster image. Massive destruction and chaos. Storm, fog. Beach. An enormous blimp-like flying machine has crashed violently. Strange dazzle camouflage. Flat black and yellow. --ar 16:9 --v 6.0

A poignant color photo capturing two young Arab girls,surrounded by an armed army battalion , fearfully embracing each other, seated upon the rubble of buildings. Before them lies a scene of devastation, with fire and explosions engulfing the surroundings. The girls' expressions are filled with fear and anguish, their eyes wide with terror. The background portrays a war-torn landscape, with smoke billowing and flames raging, symbolizing the chaos and destruction that surrounds them. The atmosphere is intense and charged with a sense of urgency and danger. The mood is a mix of despair and resilience, as the girls find solace in each other's embrace amidst the ruins. The photo is captured using a photojournalistic approach, aiming to document the harsh realities of conflict. The specific color film used enhances the contrast between the fiery explosions and the girls' delicate features, heightening the visual impact of the image. The lens employed is a telephoto lens, allowing the photographer to capture the scene from a distance while maintaining the intimacy of the subjects. This unlikely collaboration of directors, cinematographers, photographers, and fashion designers would include Nadine Labaki, with cinematography by Roger Deakins, photographed by Lynsey Addario, and featuring fashion designs by Elie Saab and Stella McCartney. --c 10 --ar 2:3

magic the gathering watercolor art style, a baby male lizard rogue, he is pulling a slingshot, his tong is out, he has orange skin and a blue tail, he is standing, he is inside Aztec ruin, warm light, --ar 2:3

a heavy metal trio, guitarist, bassist and drummer, emerging from the ashes and fires of the wasteland, backlight from thunderbolts and lightings in a storm sky, cinematic, dramatic, photorealistic, intricate details, real textures, volumetric realistic light, album cover, high resolution, highly detailed --ar 1:1 --v 6.0 --s 750

photoRealistic movie still of a close up of a giant spider hanging from the ceiling of a weird chamber in an ancient alien ruin, webs, UHD 4K, ultrarealism, dynamic lighting, photorealism --ar 16:9 --niji 5

A child's simplistic depiction of a deserted playground captures a solitary, perpetually swaying swing amidst a backdrop of desolation. No human presence is evident, and the entire scene lies in ruin. The drawing maintains a minimalist aesthetic, comprising only a series of stark lines, set against a pristine white canvas.