Postmodern Concrete Towers Playground Scene

1970s editorial documentary photography, in style of english social realism, Background is a belfast council tower blocks, looming postmodern reinforced concrete animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, haunted expression female, sharp details realistic skin tone, blushed skin, --no deformed limbs --stylize 800 --weird 5 --v 6.1 --c 100

documentary photography, relaxing luxury beach club --ar 16:9 --v 6.0 --s 750

Cinematic, documentary photography, editorial, vogue, supermodel, venice lagoon, Todd Hido style, Hasselblad X1D

Realistic astropunk concept art of, a cluster of 50 cube space crafts, graffitied British council flats, floating through space, --v 6.1 --s 900 --q 2 --ar 9:16

chevrolet 3500hd dually race truck. The rendering should be a 3/4 side view on bonneville salt flats. Canon EOS R5 (or any high-resolution camera suitable for automotive photography) Lens: telephoto lens, approximately 300mm, ensuring a full view of the car while also capturing its surrounding environment Shutter Speed: 1/160 sec (to guarantee sharpness) Aperture: f/5.6 (to achieve a balance between focusing on the car and providing some depth to the background) ISO: 100

east Berlin photography, dirty architecture, ddr, professional flash photography documentary, 3 young people in a photomaton laughing --ar 16:9 --p 7xjp99a --style raw

The number of council members is further reduced, now featuring only a handful of individuals who are all focused on Peter, pointing and accusing him without noticing the celestial spectacle above. These few members are vividly expressing their disapproval and condemnation towards Peter, adding intensity to the earthly drama. Meanwhile, Peter remains steadfast, his back to the viewer, symbolizing his resolve and faith. The fiery horses and chariots continue to dominate the ceiling, representing divine protection. The overall composition maintains the contrast between the earthly judgment and the unseen divine support. --s 250

1970s editorial documentary photography, in style of english social realism, Background is a belfast council estate, a dilapidated volvo with no wheels on a jack, bored teenagers dressed in 1990s Dutch gabba fashion, little blue stone cobbled igloo structures, graffiti, somber atmosphere, large postmodern reinforced concrete animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, , realistic skin tone, blushed skin, sharp details --no deformed limbs --stylize 500 --weird 3 --v 6.1

boat metal corridor, hms belfast, 3D realistic --ar 3:2 --v 5.2 --style raw

1970s editorial documentary photography, in style of english social realism, Background is a belfast council tower blocks, looming postmodern reinforced concrete animal statues, drizzle rain, subdued overcast winter sunlight harsh flash, multple creative angles, detailed, shot on a Yashica FX-3 Super 2000 camera with grainy Kodak ultra 400 film, 80mm lens, haunted expression female, sharp details realistic skin tone, blushed skin, --no deformed limbs --stylize 500 --weird 3 --v 6.1

christmas fashion advertisement for burgundy satin ballet flats on a plate with ribbons and fruits around it. photoshoot editoral product placement. haute couture. hyperrealistic. hi fidelity. jacquemus style.

Realistic astropunk concept art of, a cluster of 50 cube space crafts, graffitied British council flats, floating through space, --v 6.1 --s 900 --q 2 --ar 16:9

christmas fashion advertisement for burgundy satin ballet flats on a plate with ribbons and fruits around it. photoshoot editoral product placement. haute couture. hyperrealistic. minimal. hi fidelity. jacquemus style.