Asian guy holding framed picture

photorealism of Couple, young man and woman sat in cinema, facing to camera. Sharing a bag of chocolate cinema seats:: bright-dark contrast lighting::5 blue::1 --ar 16:9 --v 6.0 --style raw

a watercolor print of a green flower on a white background, in the style of dark white and light gray, large-scale sculpture, trace monotone, delicate still-lifes, fujifilm natura 1600, dark green and light beige, organic --ar 91:128 --v 5.2 --s 4

leo di caprio in titantic in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style.

Minimalist illustration of a mechanic working on an old-school cinema camera, inspired by Lev Shepelev’s style but with a playful twist. The character is depicted with flowing black pen lines and large, bold color blocks, creating a simple yet expressive composition. Limited use of lines with emphasis on form, capturing a vintage, stylized look. The background is minimal, letting the character and camera stand out, using muted tones with pops of color to evoke a light, artistic feel --ar 2:3

Cinema still, a zombie kept in a tank of fluid inside of a creepy laboratory, blue tinted lights, cinematic lighting, dirty, gritty, shot with RED camera, volumetric lighting --ar 5:7 --s 1000

Screengrab of 1950's Super Panavision 70 movie. Retro in color. The image is a night-time street scene featuring a vibrant red sports car, likely a modified Porsche, driving through a dimly lit urban area. The car has a sleek, low-profile design with prominent headlights and a noticeable spoiler. The car's headlights cast a glow on the pavement. The background is a digital painting of a dark, eerie swamp landscape under a large, glowing full moon. The scene is dominated by twisted, gnarled trees with hanging moss, creating a haunting atmosphere. The moonlight casts a pale, greenish hue over the entire scene, reflecting off the still, murky water of the swamp. In the background, there are ancient, crumbling stone structures partially obscured by fog, adding to the mysterious and foreboding ambiance. The overall color palette is dark and muted, with shades of green, gray, and black, enhancing the sense of desolation and otherworldliness. --ar 9:16

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a white outfit sitting in his room, he is holding a 5R frame size whille talking to it, medium close up --ar 16:9

Cinema still, a zombie kept in a tank of fluid inside of a creepy laboratory, blue tinted lights, cinematic lighting, dirty, gritty, shot with RED camera, volumetric lighting --ar 5:7 --s 50

cinema still, Horrors Reunited --ar 16:9 --s 50

A Caucasian actor playing a boxer in a 1961 live action film: hyperrealism: yellow shorts: black eye: ring setting: shot by panavision: shot by 35mm: shot by technicolor: boxing scene: boxing atmosphere: cinema ratio: panoramic shot: light: volumetric

thousands of jedis with lightsabers marching on the streets of Gaza with banners supporting palestine, as shot on Panavision Panaflex Gold II, CAMÉRA FILM 35 MM, maximalism, --ar 5:4 --s 750 --v 5.1

closeup of dragon circling a medieval fortress, wizard riding on the back, fire arrows passing by, sunrise background, symmetry, production still, dark horror, soft lighting, cinematic, 35 mm, panavision, visible film grain, highly detailed

cinema still, panavision h series camera, a confused south east asian guy in his 20s wearing a gray outfit sitting on his office cubicle, behind him are a couple of people comforting him, high angle --ar 16:9

fast and furious movie set of downtown los angeles shot in a 1950s Panavision movie scene, shot in rich, vibrant Technicolor with soft focus edges, featuring a classic Hollywood style. The film grain is subtle but visible, replicating the texture of 1950s cinema. Realistic depth of field, high contrast, and slightly oversaturated colors, framed in a widescreen 16:9 aspect ratio