Beautiful house with sacred architectural design

Interior photograph of an El Lissitzky house in San Francisco --ar 16:9 --v 6.0

Design a logo for Sacred Mountain Rituals, focusing on a sacred geometric mandala with intertwined psycho-geometric patterns like spirals and waves. The logo should convey healing and spiritual transformation, set against a backdrop of indigo with subtle gold lining and aurora borealis-inspired gradients. The design should feel ancient yet timeless, symbolizing a deep connection to nature and spiritual wisdom.

A giant retro futuristic spaceship hovering over a lone house in the desert, concept art by moebius, 32k, --chaos 10 --ar 4:5 --quality 2 --stylize 500 --v 6.1

tadao ando's church of light as a house. interior realistic. sacred light and shadow

green day painting everything in their house green

Create a logo for Sacred Mountain Rituals, featuring a fusion of the Flower of Life and psycho-geometric spirals in a balanced, symmetrical design. The logo should be minimalistic yet powerful, with intricate gold detailing on an indigo and white background, and subtle hints of aurora borealis colors to evoke a sense of mysticism and spiritual depth. The overall aesthetic should feel both modern and sacred.

Illustrate Ea's proposal for the "mass production" of new workers through the imprinting of the gods' image on existing beings, showcasing the transformation process. Content: Ea's proposal, mass production, divine imprinting. Medium: Artistic interpretation. Style: Sacred transformation, portraying the imprinting process. Lighting: Sacred and enlightening, enhancing the transformation concept. Colors: Sacred and transformative hues, signifying the imprinting process. Composition: Digital illustration, showcasing Ea's proposed method with vivid details. --ar 16:9 --v 5.1 --style raw --s 750

The Glass House Mountains, located north of Brisbane in Queensland, Australia, are an iconic set of ancient volcanic peaks rising dramatically from the flat, coastal plain. Although they're not actually in Brisbane, they are a popular destination for residents and visitors to the city, being just about an hour's drive away. The landscape around these mountains is a diverse blend of eucalyptus forests, fern-filled gullies, and open farmland. Each mountain has its own distinctive shape, ranging from the rounded contours of Mount Ngungun to the steeper, more jagged profile of Mount Tibrogargan. These peaks are considered sacred by the local indigenous Gubbi Gubbi people and have deep spiritual and cultural significance. The mountains offer a variety of outdoor activities, such as hiking, rock climbing, and bird-watching. Once you reach the summit of any of these peaks, you're rewarded with breathtaking panoramic views. On a clear day, you can see as far as the coastline, and the vistas are especially magical during sunrise and sunset when the sky paints itself in hues of orange, pink, and purple. The atmosphere around the Glass House Mountains is peaceful, almost reverential. You're likely to encounter both locals and tourists quietly enjoying the scenery or engrossed in the physical challenge that some of the steeper climbs offer.

embrace transformation

what does an eclipse and house painting look like

liminal space --v 5.2 --ar 16:9

In the vivid, hyper-realistic style of David LaChapelle, a mysterious tribal scene is set in an open, sacred space. The ground is dominated by a clear path of large, distinct human footprints, leading directly towards a golden-framed oil painting of a human face. The footprints are deep and precise, leaving a marked trail in the dirt, drawing the viewer’s eye. At the end of the path, the golden-framed painting sits elevated on an ornate pulpit, as if it were a sacred object of worship. The face in the painting is detailed with lifelike, rich oil brushstrokes, seeming to stare back at the viewer with intensity. The scene is illuminated by dramatic lighting, highlighting the contrast between the raw, tribal setting and the luxurious, almost divine painting. The footprints and the painting together symbolize the journey of self-discovery, as if the act of walking towards the painting is a pilgrimage towards finding one’s artistic identity.