Arab man using phone in games room

an illustration of a man using a phone in the style of corporate memphis, in various shades of blue

an Arab family gathering from gulf in a living room, seven sons and three adult daughters standing next to their father happily and a boy with 10 years is playing in the front realistic picture style

A 12-year-old Japanese boy looking at his phone and touching an app with a smile. He is lying on the sofa in the living room looking at his phone. His face is slightly illuminated by the light from the couch.

A hyper-realistic photo of a man lying comfortably on a sofa with his feet up, casually scrolling on his phone with a relaxed expression. The background is neutral and calm, with faint hints of blue casino tones subtly adding atmosphere without overpowering the scene. Soft, warm lighting adds a peaceful mood, hd quality, detailed textures --ar 4:5 --v 6.0

A photorealistic image of an Arab Maghrebian man in his thirties with brown hair and a beard, wearing a white 'khamis' (traditional long tunic for men) and a white Muslim cap. The man is slightly overweight and appears angry, with furrowed brows and a sly, SNEACKY smile. He is pointing his finger toward the camera as if accusing someone. His face is sweating, adding intensity to the scene. The image should have a detailed and realistic facial expression. The photo is taken with a Sony Alpha 7IV.

Raymond Pettibon's art is known for its stark black ink drawings often intertwined with text providing a narrative or commentary. This imagined artwork adopts his signature style while delving into the complex and ongoing Arab-Israeli conflict. Picture a large canvas, approximately 6 feet in height and 4 feet in width. The dominant feature is a colossal wave, drawn in Pettibon's typical wavy line style, its crest threatening to crash down. This wave is not just a physical entity, but a metaphorical representation of the tumultuous Arab-Israeli relations. The wave is illustrated with a fluid yet erratic line, embodying the unpredictable nature of the political tension. The crest of the wave morphs into the shapes of distorted faces representing the leaders and common people from both sides of the conflict, their expressions displaying a mix of fear, anger, and sorrow. Now, visualize the background, which is divided into two contrasting halves. The left side represents Israel, with iconography like the Star of David, a kippah, and images of historical figures like Golda Meir and Yitzhak Rabin. The right side represents the Arab nations with symbols like the crescent moon and star, a keffiyeh, and images of historical figures like Yasser Arafat and King Hussein of Jordan. The division in the background accentuates the dichotomy between the two factions while the menacing wave symbolizes the overhanging threat of conflict that affects both sides. In the foreground, beneath the wave, lies a barren land, void of life. This could symbolize the loss and devastation that has occurred over the decades due to the ongoing conflict. In the bottom right corner, in Pettibon’s characteristic textual annotation, the phrase, “The ceaseless tide of aspirations and despair,” is [...]

The sales manager, a male Arab with a short haircut and beard, wearing glasses in the zoom. He is sitting at a computer and next to him is a striped cat trying to get into the computer's camera , colorful imagery --ar 2:3 --s 50

lazy officeman lying on sofa with phone in his hands, tablet, snacks and many other things on the littered sofa, 2d graphics --style raw

A lanky Arab man with a short haircut and beard. Sitting at a computer in a video meeting. View from a computer camera. A striped cat got into the frame right in front of the camera --s 50

arab man sitting and Cabin phone beside him --ar 4:3