Spacious example of ancient Mesopotamian style

Illustrate the highland regions adjacent to the Mesopotamian plain where human civilization is believed to have originated. Content: Highland landscape, Mesopotamian plain. Medium: Digital art. Style: Historical and geographical accuracy. Lighting: Natural sunlight over the landscape. Colors: Realistic portrayal of the terrain. Composition: A detailed landscape showing the origin of civilization. --ar 16:9 --v 5.1 --style raw --s 750

spacious apartment interior in Japanese Scandinavian style, spacious space, many plants clean furniture, pastel colors, double wing door, large windows, lots of light magazine-worthy photo 8k photorealistic - - 16:9 - - s 180

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background. She is a mighty warrior ar2:3

a collage of four of the first writing systems composed in seperate tiles --aspect 7:4

crow written in cuneiform on a stone tablet --s 750

A superhero illustration of Ishtar, the Mesopotamian goddess of love, beauty, and war, portrayed as a beautiful young woman. Wearing a horned and tiered crown, symbolizing the sacred mound. Her dress was is tiered, similar to those worn by other major Sumerian deities. . She is a goddess of war, with a bow and arrow. She has wings. She is wearing a crown with an an eight-pointed star. She is standing on the backs of two lions by lions, with date palms in the background --ar 2:3

babylonian gods cosmogony --v 6.0

A haunting vision of the ancient Mesopotamian underworld from the Epic of Gilgamesh, depicted in an old black and white etching style. A shadowy 'House of Dust' with bound souls, shackled and weary, sitting in dark, desolate surroundings. The figures are thin and ghostly, with hollow eyes, as they are fed rocks and clay in an atmosphere of despair. Dark, jagged architecture, with crumbling walls and dust-laden air, adds a haunting sense of ancient decay. The scene is intricate, with detailed etching-like lines and shadowy tones, evoking the eerie and oppressive ambiance of a forsaken realm. --ar 16:9

According to Mesopotamian cosmogony, the ancient inscriptions want a reproduction as close as possible to the findings of how the representation of the god Apsu was in ancient Mesopotamia.

Depict the moment when the god Enlil unveils his plan to bring famine, saying, "Let supplies be cut off from the people; in their bellies, let fruit and vegetables be wanting!" Content: Enlil's plan, famine, people's suffering. Medium: Digital art. Style: Mythological with a touch of despair. Lighting: Grim and hunger-inducing. Colors: Dull and parched tones. Composition: Digital artwork portraying Enlil's intent to bring famine and its impact on the people. --ar 16:9 --v 5.1 --style raw --s 750