Prisoners working on Trans-Sahara railroad
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Free to use with a backlink to 2moonsai.com
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Pencil sketch, white background, line drawing, coloring book page, drawing of a composition of a group of 6 levitating people, women, men, children full body floating in the air: 1️⃣ a woman short hair full body tilted at 45°, 2️⃣ a man with a cap full body tilted at 90°, 3️⃣a woman with long hair full body turned back at 180°, 4️⃣ a child full body tilted at 30°, 5️⃣ a woman with a long dress tilted at 45° ° full body, 6️⃣ a full body man with a hat tilted at 90°, superimposed, from different viewing angles: front view angle, 3/ 4 view angle, top view angle, front view angle, bottom view angle, featured on pixiv, underground comics, official art, academic art, maximalist, HD, hyper detailed, stylized by Gil Evgren, by Norman Rockwell --s 750 --style expressive --version niji --ar 2:3
dnd High fantasy comic style, androgynous looking trans woman, white hair, Dark jeans, white t shirt, sitting in a coffee shop
a high speed locomotive shaped like an art deco camel stopped at a station in the Sahara desert, national geographic photo --ar 5:3 --s 800 --chaos 20 --weird 450 --relax
10. were led to the beach and executed, a solemn image of French soldiers lined up with rifles, 1799, in military uniforms, on the shoreline, prisoners kneeling in rows with the sea in the background, wide shot showing the tension of the moment, hyper-realistic, photo realism, cinematography --ar 9:16
create a wester inspired photograph shot in 50mm from a first person view sitting around a campfire. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 100 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
bald trans model wearing oversized puffy futuristic sustainable repurposed thrifted patchwork mixed pattern fabric fashion trendy clothes with forest dark green and beige earth tones and white color scheme, patterned denim overalls racer jacket, muted monochromatic color scheme, sustainable trendy clothes, in the style of Wes Anderson and vogue, 8k, hyper realistic details, high definition, autumn foliage forest background --ar 9:16
create an early photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
WWII, escaping prisoners. In the dark forest, Eliezer's frantic steps echoed urgently. Trees loomed overhead like silent sentinels, their branches clawing at the night sky. His breath came ragged, mingling with the oppressive stillness. "The race with death had begun," he acknowledged, heart pounding. In the distance, pursuit faded, but death's specter remained. With each moment, the forest closed in, suffocating. Yet, fueled by determination, he pressed forward, driven to survive.
"Imagine the interior of a dehumanizing cage. Show small makeshift shelters created by the occupants, using scraps and personal items. The environment should be sparse, with only a few elements that highlight the humanity of the individuals against the oppressive setting."
Art deco, city streets night, retro-futurism, 8k, Unleas – sharpness, depth – of – field, ultra– detailed photography, raytraced, global illumination --ar 3:2
9. to whom their lives had been promised, an emotional scene of prisoners looking at French officers, 1799, Ottoman military attire, on a sandy shore, French flags and soldiers in the background, medium shot focusing on the expressions of fear and disbelief, hyper-realistic, photo realism, cinematography --ar 9:16
Lady in blue dress, long clear brown hair, freckles, hol a blue umbrella, walking on a railroad, clear sky, dusk --ar 3:2 --v 6.0 --no clouds
"Anime style, a man sitting at a desk looking at forex charts on his screen, thoughtful, wearing a Rolex on one hand, with a desperate expression, hyper-realistic. --v 6.1 --ar 4:7
Desert scene near the Sahara in Northern Africa on February 12, 1941, set against the backdrop of World War II. The foreground shows a convoy of military vehicles kicking up dust as they traverse the harsh terrain, with soldiers scanning the horizon for enemy movement. In the background, vast sand dunes stretch under a bright, cloudless sky, illustrating the strategic importance of this desolate region. The lighting is stark and intense, emphasizing the unforgiving environment and the broader wartime struggle. --ar 16:9 --v 6.0 --style raw
The mixologist prepares a Negroni for a trans woman sitting alone at the bar. She sips it slowly, her eyes fixed on Sarah, color Photograph , Mario Testino style, mirror, Richard Newton style, Nestor Almendros style, Woody Allen style, dance floor of a punk disco
Camel in the Sahara desert with sand dunes, thick monoline outline, fully closed shapes, pure white background, no gaps in the lines. no color, for chidrens coloring book --s 250
fashion photography, female model, Sahara desert, blue flowing clothes billowing in the wind, shadows
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Photography ofJesus contemplating the valley of Misiones under a flowered pink trumpet tree looking at a purple toned sunrise, you can see the mist on the valley, and the Parana River. The shot is cinematic and calm, birds fly in the distance, photorealistic, cinematic, nikon, hyperrealistic, --ar 16:9
a photograph of a prisoner dj'ing in a white prison cell, he is using CDJ 2000 decks, wearing headphones and smiling, there are 2 prisoners in the cell with him, watching him DJ, one prisoner is holding a tennis ball, all prisoners are wearing orange jump suits, photorealistic, ultra HD, 4k --v 6.0 --ar 16:9
donald trump and vladimir putin riding horses in the sahara desert
create an early 19th century photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see a deep old wooden cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is slightly away from the cavern entrance. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
Anima from Final Fantasy X, Anima is a monster humanoid looking old and crazy. He wear a straight-jacket and he's prisoners of a creature mouth and chains. He wears a lot of bandages to cover his face and eyes. The photo is hyper realistic and cinematically hyper detailed,ultra 3d rendering, in the style of unreal engine, hyper rendering, 3D render, 32k uhd, cinematic portrait , best sharpness, ultra realistic, the photo is taken with a Canon Eos r50 --niji 6 --stylize 1000 --style raw --ar 9:16
A to Z typography character set typeface sans serif style. Non-contrast rods, optical corrections. Flat color style. Black and White. Font body 12 pt, X-height 6 pt, Ascendants 3 pt, Descendants 3 pt --stylize 0
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a mid-shot a photograph of a prisoner dj'ing in a white prison cell, he is using CDJ 2000 decks, wearing headphones and smiling, there are 2 prisoners in the cell with him, watching him DJ, one prisoner is holding a tennis ball, all prisoners are wearing orange jump suits, photorealistic, ultra HD, 4k --v 6.0 --ar 16:9
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create a wester inspired photograph shot in 50mm from a first person view sitting around a campfire. This photograph has to emphasize tension and each section is motivating each other to tell a story. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 100 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
Create a highly realistic image, styled like a film still from a historical movie, depicting a prison built in 18th-century Morocco with incarcerated prisoners. The image should be crafted with photographic realism, ensuring there are no awkward elements. Focus on the bleak and confined atmosphere of the prison, highlighting the chains binding the prisoners to convey their lack of freedom. Each prisoner should be portrayed with details that reflect their individual stories and the harsh conditions of their confinement. The architecture of the prison should be typical of 18th-century Moroccan design, with attention to historical accuracy in its construction and layout. The overall composition should evoke a sense of despair and hopelessness, capturing the grim reality of life in an 18th-century Moroccan prison, --ar 9:16 --stylize 250 --v 6.0
create a western inspired photograph shot in 50mm from a first person view sitting around a campfire. Also inspired by Roger Deakins cinematogrphy work. This photograph has to emphasize tension and each section is motivating each other to tell a story. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 100 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
a realistic material moodboard for an interior design project, minimalistic, samples, white background, inspiration, light wood, dark brown leather, terracotta, black sahara noir marble , beige cloth, Walnut wood
a man walking a dog sized ATAT like a pet dog. --ar 16:9 --v 6.0
a mid-shot a photograph of a DJ dressed as a prisoner in a white prison cell, he is using CDJ 2000 decks, wearing headphones and smiling, there are 2 prisoners in the cell with him, watching him DJ (Diverse in skin colour), all prisoners are wearing orange jumpsuits, photorealistic, ultra HD, 4k --v 6.0 --ar 16:9
Mike mignola John Henry was a steel driving man, African American railroad folk hero art, Mike mignola drawing,John Henry holding huge sledgehammer
Realistic scene of a person experiencing intense jealousy. The individual is depicted in a situation where their jealousy is evident, such as at a social event or gathering. They might be shown observing another person with envy, perhaps glaring at someone who is receiving attention, praise, or affection. The environment should include elements that highlight the source of their jealousy, such as a celebration, an award ceremony, or a romantic interaction. The person’s expression should convey strong emotions of envy and resentment, with body language that reflects their discomfort or frustration. The scene should capture the contrast between the jealous individual and the situation or people they are envious of, with attention to details and expressions. HDR, 8k, --ar 9:16
a grunge watercolor, runny paints, a ghostly train on a never-ending railroad track, vanishing point, gloomy, atmospheric, Highly detailed --ar 3:4 --stylize 500
Full body photo. 18 year old very cute Japanese fashion model. She is wearing fashionable luxury brand clothes. She has short hair and a hair color that matches her clothes. The background is the railroad tracks at night. Canon EOS R6.
create a wester inspired photograph shot in 50mm from a first person view sitting around a campfire. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
arial image of Harriet Tubman escaping from slavery, running through a feild. a group of men far behind her chasing her. use vivid colors and high definition. --ar 2:3 --v 5.2
Create a key visual of three realistic Asian friends, all 25 years old, seen from the back in a half-body shot as they gaze up at the sky. One is a Chinese woman, one is a Malay man, and one is an Indian man. The three friends stand close together, symbolizing their strong bond, with their distinct hairstyles and cultural clothing subtly reflecting their backgrounds. Above them, a large cloud shaped like a star stands out in the peaceful evening sky, which glows with soft sunset hues transitioning from orange to purple. The lighting is gentle, with a DSLR quality reminiscent of the Fujifilm XT3, capturing fine details with a cinematic feel, 8K UHD resolution, soft lighting, and a touch of film grain. The scene should evoke awe, serenity, and the warmth of their friendship.
a mid-shot a photograph of a white DJ dressed as a prisoner in a white prison cell, he is using CDJ 2000 decks, wearing headphones and smiling, there are 2 prisoners in the cell with him, watching him DJ (Diverse in skin colour), all prisoners are wearing orange jumpsuits, photorealistic, ultra HD, 4k --v 6.0 --ar 16:9
Several prisoners undergo life rejuvination treatment in an underground medical lab, glass and amber, robots and dirty white tiles. In the style of Nicolas Delort --style raw --stylize 200 --v 6.0
Create a charming anime-style illustration of a personified railroad crossing (踏切) with endearing characteristics. Capture the essence of its personality and surroundings, bringing this inanimate object to life in a cute and imaginative way.
create an early photograph shot in 75mm from a first person view sitting around a campfire. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
An intense, chaotic scene unfolds in this high-resolution photograph, as a massive crowd of Brazilian prisoners bursts through a shattered prison wall, symbols of restraint giving way to frantic freedom. The air is thick with dust, and the sounds of shouts and crumbling concrete are almost audible through the image. Captured with a Canon EOS-1D X Mark III, known for its rapid shooting capabilities and exceptional low-light performance, this photograph is a testament to raw human emotion and the instinct for liberty. Utilizing an EF 11-24mm f/4L USM lens, the wide-angle view encapsulates not just the crowd, but the context, showcasing the stark, oppressive prison juxtaposed with the sprawling landscape of freedom that lies just beyond. The camera settings are critical for capturing this dynamic and fast-paced moment: an aperture of f/8 ensures the scene remains in sharp focus, while an ISO of 3200 compensates for the shadows cast by the prison's imposing structure without introducing excessive noise. A fast shutter speed of 1/2000 sec is essential to freeze the prisoners in motion, each expression of determination, fear, and hope captured in stark relief against the backdrop of their escape. The composition is deliberate, the broken wall in the foreground drawing the eye immediately to the action, the jagged edges telling of a violent, sudden path to freedom. The prisoners, a sea of humanity, swarm through the opening, their faces and bodies a blend of the strain of physical exertion and the emotional catharsis of liberation. Their tattered, identical clothing forms a visual motif, repeating throughout the crowd, a reminder of their shared circumstances and unified in their desperate bid for freedom. The lighting is dramatic, sourced from the harsh, unforgiving [...]
chubby Androgynous trans chicano tattooed model wearing oversized puffy futuristic sustainable repurposed thrifted patchwork mixed pattern fabric fashion trendy clothes with forest dark green and beige earth tones and white color scheme, patterned denim overalls racer jacket, muted monochromatic color scheme, sustainable trendy clothes, in the style of Wes Anderson and vogue, 8k, hyper realistic details, high definition, autumn foliage forest background --ar 9:16 --v 5.2
Luxurious and modern Spa room for "Nuzha" means a secluded and delightful place, reflecting the retreat's serene and exclusive nature. Together, the name "Sahara Nuzha Retreat" captures the Arabic essence while conveying the unique and tranquil experience offered by the resort in AlUla, Saudi Arabia. Cinematic lighting --ar 16:9 --v 6.0 --s 250
old discolored notebook page with simple b/w sketch in pencil showing lonely abondoned railroad tracks stretching off into the distance through very dense overgrown forest, ruined small steam era train station off the side of the tracks dark brooding storm clouds showing through trees.
8. In the following days, 3,000 Ottoman prisoners, an image of a large group of Ottoman prisoners looking weary, 1799, wearing traditional Ottoman military attire, on the beach near Jaffa, French guards in the background with the sea beyond, wide shot capturing the magnitude of the situation, hyper-realistic, photo realism, cinematography --ar 9:16
A stunning and affluent couple, wearing white flowy kaftan and linen shirt, with sunglasses, slick hairstyle, as captured in the pages of Vanity Fair Italia entering a contemporay Arabic Restauarnt of a Desert Oasis Resort, architectural elegance, designed by Zaha Hadid Architects, nestled in the heart of AlUla, structure is blended seamlessly in the mountain desert landscape, a Desert Serenity Retreat is a hidden gem in the mountain desert, offering a tranquil escape from the ordinary. Its location, surrounded by the breathtaking landscapes of AlUla, ensures that guests experience the untouched beauty of the region while enjoying the epitome of luxury.Highlight the stunning design and architecture of Sahara Nuzha Retreat, emphasizing the seamless integration of modern luxury within the serene desert oasis, in high resolution, Photorealistic, Photo, realism, sharp photography, Photography, maximum detail, sharp focus, Intricate details, Ultra-realistic, Cinematic lighting, Volumetric lighting, photography, beautiful details, Cinematic lighting, Render, 8k, Portra 800 medium format film, 105mm SMC Takumar, 3200 dpi scan, octane render, unreal engine, 8k, photorealistic, digital, detailed, very small details, premium photo quality, photorealism, 8k, UHD, unreal engine, octane number, highly realistic resolution UHD octane number 8k --ar 16:9 --v 6.0
create an early photograph shot in 75mm from a first person view sitting around a campfire. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
A picture using a more structured and bold watercolor style. A man in his early thirties, wearing a worn-out shirt and jeans, walking along an endless railroad track with his hands in his pockets. The sun is setting behind him, casting long shadows on the tracks, emphasizing the distance he’s traveled. --ar 9:16 --niji 6
"Realistic Dutch countryside scene with a level crossing without barriers. The image shows a red light flashing at the crossing, and vehicles, including a motorcycle, stopped and waiting for the light to go out. In the background, a train is either approaching or passing. The setting includes typical Dutch elements such as fields, railroad tracks, road markings, and signage warning of the level crossing. The scene emphasizes caution and the importance of waiting for the red light to stop flashing before safely proceeding."
Jerry Frost is thirty-five. He is a clerk for the railroad at $3,000 a year. He possesses no eyebrows, but nevertheless he constantly tries to knit them. His lips are faintly pursed at all times, as though about to emit an enormous opinion upon some matter of great importance. He leans over the table--did I say there was a table?--and turns the pages of a magazine, yawning meanwhile and tentatively beginning a slow clog step with his feet. Presently this distracts him from the magazine, and he looks apathetically at his feet. Then suddenly he sits in a chair and begins to sing, unmusically, and with faint interest, a piece which is possibly his own composition. The tune varies considerably, but the words have an indisputable consistency, as they are composed wholly of the phrase: “Everybody is there, everybody is there!”
SUBJECT: Amelia Earnhardt in quiet contemplation before her trans Atlantic flight | STYLE: apocalyptic folk art assemblage, bugcore, strong chiaroscuro, multilayered, streaks and smudges, emotive portraiture
diversity genders abstract watercolors men women trans identities watercolor --ar 16:9
female doctor talking to a transgender male patient who is a nonbinary asexual, realistic photograph, dynamic scene in doctor's office, windows in the background, enviting environment --ar 3:2
a realistic material moodboard for an interior design project, minimalistic, samples, white background, inspiration, light wood, dark brown leather, terracotta, black sahara noir marble , beige cloth, Walnut wood and with wheat thorns, dried flowers decor
a portal with a green outline and purple shining from it. The portal leads to the Sahara desert. The portal is located in a cyberpunk city. Cinematic, epic
create a wester inspired photograph shot in 50mm from a first person view sitting around a campfire. In the midground shows a railway going into a man-sized mining cavern with light iluminating its interior. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
a hyper realistic image in landscape motorcyclist standing on the mountain top looking at a the cityscape below its a night shot with the milky way about and the city lights beneath the mountain sharp ultra realistic professional lighting
Anime screengrab, Katsuhiro otomo style, a stormtrooper in front of an at-at --ar 2:3
disney world main street at night, castle at end of block, bright lights, no people
Create a detailed and realistic 4K image of the CRISPR/Cas9 gene editing process inside a cell. Show the Cas9 enzyme bound to the single guide RNA (sgRNA) complex, which consists of trans-activating CRISPR RNA (tracrRNA) and CRISPR RNA (crRNA). Illustrate the sgRNA guiding Cas9 to the target DNA sequence, with the protospacer adjacent motif (PAM) sequence visible next to the DNA. Highlight the Cas9 enzyme creating a double-strand break in the DNA. The scene should be depicted in a highly detailed, realistic manner within a cellular environment, emphasizing the interaction between the CRISPR/Cas9 components and the DNA
Orcish prisoners impaled on each side of a dirt road leading to a castle in the distance, Autumn, Haunting, eerie, Fantasy art, Ravenloft Art, Magic the gathering art style, Dungeons and Dragons art style, color:: --aspect 16:9 --version 6.0
Picture of someone from the back doing prompt on his computer on midjourney at night, we see the exact same described picture on the screen of his desktop, mise en abime
Pintura impressionista pastel e grafite de uma cena em Kentucky Derby em um evento de corrida de cavalo, dia ensolarado. Tinta encáustica a óleo, azul e neon fluo amarelo e verde e linogravura turquesa elétrica. árvores secas com galhos longos e secos. sombras compridas
satellite view, railroad, train, photorealistic, desert --ar 16:9 --v 5.2
Anime style illustration of an electric train on the tracks, the sky is blue with clouds, in front there's two railway bridges and one level below we can see another set of railroad tracks, the ground has lights, the background is the view of seaside, by Makoto Shinkai, beautiful scenery, masterpiece, best quality, high resolution, very detailed, wide angle shot, cinematic, hdr --ar 9:16 --v 6.1 --q 2
Black 1977 Pontiac Trans Am Firebird, in retro abstract style, simple cartoon, dynamic angles, inspired by vintage Monaco racing posters, blue sky and tropical background
create an early 19th century photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. There is a canyon mine on the right side in the midground. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a river that follows into the distance further. The midground appears closer to your viewing and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see a deep cavern entrance that the railroad follows into. It appears there is someone down in the cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushes that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting next to a campfire. This fire is only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
The mixologist prepares a Negroni for a trans woman sitting alone at the bar. She sips it slowly, her eyes fixed on Sarah, color Photograph of a barman shaking a cocktail , Mario Testino style, mirror, Richard Newton style, Nestor Almendros style, Woody Allen style, dance floor of a punk disco
55 years old Woman, blue dress, clear brown hair, freckles, hol a blue umbrella, walking on a railroad, clear sky, dusk --ar 3:2 --v 6.0 --no clouds
chubby young woman eating a basket of french fries at a carnival food truck. Night scene with bokeh
create an early 19th century photograph shot in 75mm. The overall scene is set in a desert setting at dawn just before the sunrise. There is a canyon mine on the right side in the midground. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a river that follows into the distance further. The midground appears closer to your viewing and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see a deep maingly wooden cavern entrance that the railroad follows into. A mining rail is seen just at the entrance of the maingly wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
drake look alike trans model wearing oversized puffy futuristic sustainable repurposed thrifted patchwork mixed pattern fabric fashion trendy clothes with forest dark green and beige earth tones and white color scheme, patterned denim overalls racer jacket, muted monochromatic color scheme, sustainable trendy clothes, in the style of Wes Anderson and vogue, 8k, hyper realistic details, high definition, autumn foliage forest background --ar 9:16 --v 5.2
create an early photograph shot in 75mm from a first person view sitting around a campfire. In the midground shows a railway going into a man-sized mining cavern. The overall scene is set in a desert setting at dawn just before the sunrise. The scene is seperated in three sections, the foreground, middleground, and background. The background shows a deep canyon below with rugged rock formations and a winding river that tapers down into the distance. The midground appears closer to your area at around 50 ft away and comprises part of a canyonside. Within this canyonside you see a railroad that runs horizontal of your view from left to right. On the right side of the railroad, you see an old man-sized mining cavern entrance that the railroad follows into. A mining rail is seen just outside the entrance of the old wooden cavern. It appears there is someone down in the maingeled cavern as there is light glowing within its depths. Surrounding the entrance of this cavern comprises more desert, cactus and bushe that are partially engulfed in darkness. In the foreground is you, the viewer. You are sitting right next to a campfire that is very present in the middle and takes up a large section of the foreground. This fire is ominously present in front of you and only illuminating 6 feet outside of its perimeter. There appears to be a large cactus right next to this fire and a lit lantern on the ground. The sun in the background is just starting to rise, but most of the scene is engulfed in shadow besides the light sources mentioned. --ar 16:9 --style raw --s 50
diminutive trans dimensional insect-like alien DMT scientists probing prone human form for emotional energies
a grunge watercolor, runny paints, a ghostly train on a never-ending railroad track, gloomy, atmospheric, Highly detailed --ar 3:4 --stylize 500
prisoners hanging from rope around wrist, all hanging in a line, Color Graded, prisoner hung by feet, vibrant colors, attention to detail, highly expressive, referencing the works of Osamu Tezuka, epic and intense --ar 16:9 --stylize 699 --niji 6
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