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STYLE: Cinematic Close-Up | GENRE: historical drama | EMOTION: intrigue, decadence | SCENE: Disguised as a woman, Heliogabalus sits in a dimly lit tavern, his face adorned with makeup, eyes scanning the room with an air of fascination and mischief. The candlelight flickers over his face, adding a touch of mystery to his gaze as he prepares to engage in his unorthodox pursuits. | TAGS: 8k, warm candlelight, emotional complexity, historical realism, immersive close-up, decadent atmosphere | TIME: Late night | LOCATION TYPE: Tavern interior | CINEMATOGRAPHER: Emmanuel Lubezki | --ar 9:16
A painted dark illustration of a street at night with the shadow of a bearly visible person that became a monster in the shadow
15. Furthermore, according to Napoleon, many had already been captured, a thoughtful scene of Napoleon reviewing a list, 1799, in a dimly lit tent with a single candle, a table cluttered with papers and a map in the background, medium shot emphasizing his concentration, hyper-realistic, photo realism, cinematography --ar 9:16
Illustrate a dimly lit, rustic Irish cottage interior where a distraught mother looks over a cradle. Inside, instead of her child, a wizened, eerie changeling with glowing eyes lies swaddled. Shadows from the fireplace flicker ominously on the walls, enhancing the mysterious and unsettling atmosphere. --ar 16:9
. Albert Schweitzer, an elderly man with a wise and gentle expression, wearing early 20th-century academic attire, standing in a small, dimly lit study surrounded by books, his hand resting on a desk as he looks out of the window thoughtfully, an old wooden desk and a lamp in the background, medium close-up shot, hyper-realistic, photo-realism, cinematography.
A picture using a watercolor style. Light color. A person holding an old photograph, their eyes glistening with tears as they recall past memories. The room is dimly lit, filled with old records and albums, as the faded images of loved ones appear in the background. --ar 9:16 --niji 6
dark 19th century basement laboratory with rows of different kinds of antique lightbulbs
A comic art style scene set in 1940s Turkey, depicting elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali. 16:9 aspect ratio, showing a wide view of a dimly lit, modest bedroom. Raif sleep in a narrow bed positioned against the far wall, appearing small and vulnerable in the distance. In the foreground, dominating the right side of the frame, sits the silhouette of a man watching over Raif. This figure is intentionally ambiguous - it could be Raif's younger self, or perhaps a metaphorical representation of his memories or regrets. The silhouette is solid black, its edges slightly soft, adding to the dreamlike quality of the scene. Raif, now in his sixties, is barely discernible in the distance but his frail form can be made out under a thin quilt. His grey hair is a pale spot against the pillow. The small details of his face are not visible from this distance, leaving his expression to the viewer's imagination. The room is illuminated by a combination of faint moonlight streaming through a partially curtained window and the warm, soft glow of a distant street lamp. This creates a play of cool blues and silvers contrasted with muted golden tones, casting long, atmospheric shadows across the room. The color palette is predominantly cool and muted - deep blues, greys, and pale silvers, with touches of warm golden light adding a nostalgic feel. The contrasts are soft, adding to the dreamy atmosphere. Sparse furnishings are visible: a small nightstand by the bed, a writing desk in one corner, and a wardrobe against another wall. On the wall above Raif's bed, a faded painting of a European cityscape is barely discernible, a distant echo of his past. The blend of 1940s comic art style and photorealistic details is maintained, with subtle Ben-Day dots texture for [...]
Girl sleeping on sofa, dimly lit room, peaceful sleeping face, dark outside the room, night, small lamp light, watercolor style, anime style illustration --ar 4:5
difficulty swallowing pictures holding their throat cinematic quality --ar 3:2 --s 250
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