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A comic art of elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali, set in 1940s Turkey. 16:9 aspect ratio, focusing on Raif's aged face and upper shoulders. Raif is a Turkish man in his late fifties or early sixties, with a calm, innocent gaze directed slightly upward, as if lost in a bittersweet memory. Weathered but gentle facial features that speak of a life lived with quiet dignity. Soft, kind eyes that hold a glimmer of youthful innocence despite the passage of time. Subtle crow's feet around his eyes, from both quiet smiles and unspoken sorrows. A straight nose with slight aging signs. Thin lips formed into a faint, serene smile tinged with melancholy. Cheeks with natural aging lines, not sunken but carrying a hint of life's burdens. A jawline that's softened with age but still defined. Silver-grey hair, neatly combed but with a few errant strands, suggesting a touch of lingering spirit amidst resignation. Clean-shaven face, emphasizing his innate gentleness. Noir-style lighting with a soft, diffused light source coming from the side, creating gentle yet pronounced shadows that accentuate the contours of his face. He working at desk and seems toughful. Dominant cool blue and grey tones with sparse warm highlights, creating a melancholic atmosphere. Refined outlines, pronounced halftone effects in the shadowed areas of his face and neck, maintaining the comic book style while emphasizing the somber mood. High contrast between light and shadow to highlight his features and the depth of his emotions. Raif is wearing a comfortable, well-worn cardigan in muted tones, visible at the bottom of the frame, suggesting both comfort and the passage of time. A faint reflection in his eyes of a rain-streaked window, hinting at him gazing out at a gloomy day. [...]

Hermes is an Olympian deity in ancient Greek religion and mythology considered the herald of the gods. But he is also a turkey.

city with huge lightbulbs as buildings, graphic art, minimalist, vector illustration, poster

A comic art style close-up portrait of elderly Raif from 'Madonna in a Fur Coat' by Sabahattin Ali, set in 1940s Turkey. 16:9 aspect ratio, focusing on Raif's aged face and upper shoulders. Raif is a Turkish man in his late fifties or early sixties, with a calm, innocent gaze directed slightly upward, as if lost in a bittersweet memory. Weathered but gentle facial features that speak of a life lived with quiet dignity. Soft, kind eyes that hold a glimmer of youthful innocence despite the passage of time. Subtle crow's feet around his eyes, from both quiet smiles and unspoken sorrows. A straight nose with slight aging signs. Thin lips formed into a faint, serene smile tinged with melancholy. Cheeks with natural aging lines, not sunken but carrying a hint of life's burdens. A jawline that's softened with age but still defined. Silver-grey hair, neatly combed but with a few errant strands, suggesting a touch of lingering spirit amidst resignation. Clean-shaven face, emphasizing his innate gentleness. Noir-style lighting with a soft, diffused light source coming from the side, creating gentle yet pronounced shadows that accentuate the contours of his face. Dominant cool blue and grey tones with sparse warm highlights, creating a melancholic atmosphere. Refined outlines, pronounced halftone effects in the shadowed areas of his face and neck, maintaining the comic book style while emphasizing the somber mood. High contrast between light and shadow to highlight his features and the depth of his emotions. Raif is wearing a comfortable, well-worn cardigan in muted tones, visible at the bottom of the frame, suggesting both comfort and the passage of time. A faint reflection in his eyes of a rain-streaked window, hinting at him gazing out at a gloomy day. Subtle motion lines [...]

a curious turkey, facing camera, front view, frontal, isolated on white background, studio lighting, full body shot, sharp focus, hdr, 8k, sharp details

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