African village with stunning landscape, seen from ground level.

an empty hockey rink from ground level with epic arena lighting --ar 2:3 --s 150

35mm cinematic film still of a futuristic science fiction village in africa in 2300, traditional mud houses, nigerian teenagers on a farm hunting chickens, big electronic cars, drought, sunny, neon hairstyles, nigerian lagos people, future technology, wires and tubes, african culture, palmtrees, filmed by [Denis Villeneuve], A cinematic moment captured on cinestill 50d film --ar 16:9 --style raw --v 6.0

35mm cinematic film still of a futuristic science fiction village in africa in 2300, nigerian teenagers on a farm hunting chickens, neon hairstyles, wet nigerian lagos people, future technology, wires and tubes, african culture, african slums, filmed by [Denis Villeneuve], A cinematic moment captured on cinestill 50d film --ar 16:9 --style raw --v 6.0

An african village Mother with a baby on her back, thick monoline outline, fully closed shapes, pure white background. No color, only outline drawing in thick outline, shapes filled with white color --s 250

a group ancient african homesfrom the outside. there is a beautiful landscape and we are looking at it from a boors on the ground first person perspective --ar 3:4

cinematic scene of a village hut, it is dark with lightining flashes. This visual representation captures the essence of African mythology, This is an ultra-realistic photograph captured on high-resolution 35mm film. --ar 16:9

cinematic scene of a village around an oasis, it is dark with lightining flashes. This visual representation captures the essence of African mythology, This is an ultra-realistic photograph captured on high-resolution 35mm film. --ar 16:9

a painting of ancient african homes from the outside. there is a beautiful landscape and we are looking at it from a boors on the ground first person perspective --ar 3:4

a painting of a group ancient african homesfrom the outside. there is a beautiful landscape and we are looking at it from a boors on the ground first person perspective --ar 3:4